Happy UN Chinese Language Day

The date for the Chinese day was selected from Guyu (“Rain of Millet”), which is the 6th of 24 solar terms in the traditional East Asian calendars, to pay tribute to Cangjie. Cangjie is a very important figure in ancient China, claimed to be an official historian of the Yellow Emperor and the inventor of Chinese characters. Legend has it that he had four eyes and four pupils, and that when he invented the characters, the deities and ghosts cried and the sky rained millet. From then on, Chinese people celebrate the day Guyu in honour of Cangjie. In the Gregorian calendar, it usually begins around April 20.

The UN

On this occasion we provide this special edition to invite you to join us in celebrating the charm of the Chinese language – in its written form through calligraphy and spoken form through recitation.

SONG Yihui (宋一卉), a recently graduated doctoral student from School of Chemistry and Chemical Engineering, has a number of hobbies rooted in traditional Chinese culture, including calligraphy, classic dancing and Hanfu costume. Below she tells us how she has maintained her practice of Chinese calligraphy since childhood.

I first learned calligraphy when I was eight years old, probably because of my curiosity facilitated by my parents. At that time, I started from learning to write the basic strokes – horizontal and vertical, which required a lot of patience and perseverance. I was so envious of other fellows who could exercise their skillful hands freely. However, after learning Yan-style of calligraphy for three years when I wrote with more confidence, I had to put down my brush and switched my full attention to my study which became more demanding. It was not until in my college time that I picked up my brush again with my genuine passion for calligraphy. This flame of enthusiasm has been kept for my life in the UK. When I was packing up my luggage, I had no hesitation to include my beloved set of calligraphy treasures in the suitcase.

To me, calligraphy is a journey of time and space through the written form of our language, with which I could always conduct spiritual dialogues with our ancestors thousands of years ago.

Below is a selected collection of Yihui’s calligraphic works.

WEI Ziqing (魏子晴) is currently doing MA Interpreting at the School of Arts, English and Language. Among her many talents she has a strong passion for recitation. In the recent QUB Multilingual Poetry and Music Festival she contributed to the event by doing a Chinese poetry recitation – ‘The Chinese Language’. With her kind permission, we invite her to share with us her recitation.

To be honest, my performance on the day was not really as perfect as I thought. However, I found that at least three girls from the audience were moved to tears, to my great surprise. One of the girls later said to me that even though she could not understand the language, her heart was greatly touched by the sound of language and she couldn’t help shedding tears.

Below is the Ziqing’s Instagram post on her recitation, followed by the bilingual text versions.

中国话
有一种语言,它 很神秘,它蕴涵着一个民族上下几千年 悲喜交加的情感;

有一种语言,它很古老,古老到那刻在骨头上的文字里都找不到 它的起源;

有一种语言,它很丰富,阴阳上去中 回荡着 慷慨激昂 倾诉着 温宛 缠绵;

这,便是中国话,

一个古老的 东方神话!

中国话,

是如诗如画的表达,

“树索索而摇枝,马得得而驰骋”

——哪一种语言  

有 如此逼真的描摹?

“落霞与孤鹜齐飞,秋水 共长天一色”

——哪一种语言  

能说出如此图画般的美丽?

“春江潮水连海平,海上明月共潮生⋯⋯”

——哪一种语言 能有 如此动听的节律?

“我失骄阳君失柳,杨柳轻扬直上重霄九”

——哪一种语言

能一语译透你丰厚的含义?

中国话 是中国人

心灵深处的吐纳。

是屈原的长叹 ,项羽的啸吼

是李白的浪漫 ,杜甫的讥讽,

是“五四”前夜,

李大钊在拊掌欢呼

《庶民的胜利》,

是面对敌人的屠刀,

鲁迅在指斥《无声的中国》,

是迎着特务的枪弹,

闻一多拍案而起,弘扬正义!

是礼炮声中毛泽东庄严宣告:民族 站起!

那黄河的不羁和刚强,是中国话!

那长江的奔放和潇洒,是中国话!

那大山的雄武,高原的粗犷,是中国话!

那江南的温柔,水乡的秀雅,是中国话!

听,中国话正在通过我的喉头在联合国的讲台上响起

–那么亲切,优美,

—那么有力,伟大!

中国话 你属于一个伟大的民族,

一个朝阳升腾的天地!

我爱你,我们的 中国话!!!

The Chinese Language
There is a language – it is very mysterious and contains the emotional ups and downs of a nation for thousands of years;

There is a language – it is so ancient that its origin cannot be found in the characters engraved in bones;

There is a language – it is very rich, resonating with generosity and passion, warmth and tenderness in the alternation of Yin and Yang;

This is the Chinese language.

An ancient oriental myth!

Chinese language

is an expression like poetry and painting.

‘The trees rustle and shake their branches, The horses gallop and run freely.’

–which language 

has such a vivid illustration?

“Rosy evening clouds and the lonely duck fly together; The autumn water shares the same colour with the sky.”

–which language can tell such picturesque beauty?

‘The spring tide of the river joins the sea, and the bright moon rises with the tide on the sea…’

–Which language can have such an enchanting rhythm?

“I’ve lost my sun, you’ve lost your willow, the willow lightly rises to the Ninth Heaven”

–what other language

Can translate the richness of your meaning in one word?

Chinese language is the breathing of the Chinese people’s soul.

It is the long sigh of Qu Yuan, the roar of Xiang Yu,

The romance of Li Bai, the irony of Du Fu.

It is Li Dazhao cheering and applauding
“The Victory of the Common People” on the eve of May Fourth Movement,

It is Lu Xun criticizing “The Silent China” in the face of enemy’s butcher’s knife,

It is Wen Yiduo rising up and promoting justice in the face of bullets from secret agents,

It is Mao Zedong solemnly declaring “The Chinese nation has stood up!” amidst the sound of salute.

The recklessness and fortitude of the Yellow River is Chinese language!

The unrestrained and boldness of the Yangtze River is Chinese language!

The magnificence of the mountains, the ruggedness of the plateau, is Chinese language!

The gentleness of the south of the Yangtze River, the elegance of the water town, is Chinese language!

Listen, the Chinese language is echoing through my voice on the podium of the United Nations

-So friendly, beautiful,

-So powerful, great!

Chinese language , you belong to a great nation, a world where the sun rises!

I love you, our Chinese language!

Sign up for a Chinese course

If you would like to learn more about the beauty of the Chinese language and are interested in attending a course, you are welcome to check our courses below and register as soon as you can. The cutting off date is rightly on Thursday 20 April, the UN Chinese Language Day! Don’t miss out!

Tasting the Rabbit

Interactive Chinese Cultural Display and Demo

Date: Friday 20 January 2023
Time: 13:00 – 16:00
Venue: 1st Floor Social Space, The Graduate School

About the Event:

Some of the main activities will include Chinese way of traditional writing in calligraphy, performances of musical instruments such as guzheng, guqin, and skills of practising taiji, Chinese dance and traditional Chinese costumes, all of which enriches the interactive topics through live demonstrations and hands-on practice.

Timeline

§ 13:00-13:15: Start and welcome

§ 13:15-13:30: Guzheng performance (DENG Wei)

§ 14:15-14:30: Taiji performance (DA Wenkai)

§ 15:00-15:10: Chinese classic dance (SONG Yihui)

This half-day event is free for all. Tea/coffee and refreshments (including a taste of Chinese traditional snacks) are provided. Booking is needed due to capacity. Please complete the registration form below.

Happy New Year 2023

Bye 2022, Hi 2023!

A calendar on a desk, displaying January 1st 2023, together with some other stationery and a flower vase with some tulips.
Photo credit: Anqi HUANG

As 2022 drew to an end, we wish everyone a happy and healthy 2023! We also would like to remind you that the Chinese New Year (CNY) – Year of the Rabbit – is fast approaching in three weeks’ time. How are you going to celebrate it?

CNY celebrations at Queen’s

We are pleased to let you know that the celebration programme at Queen’s has been underway, with a range of events to entertain all – students, staff members, as well as members of the public. You may find the CNY2023 Programme page via the link below and here are some activities for you to kick a start while more will be uploaded shortly.

Celebrations elsewhere in Belfast

In addition to our celebrations on campus, we would like to make you aware of the social celebration of Chinese New Year in Belfast, operated by Success Dragon and Lion Dance Association, a registered charity in Northern Ireland (Charity no. 105478), who had been supporting Queen’s celebrations before pandemic.

The Chinese New Year Celebration returns to the Ulster Hall Belfast on Sunday 22nd January 2023 celebrating the Year of Rabbit. Come to enjoy a day full of fun and joy, rich in Colours and Culture. With over 12 global dances and music not to be missed.

盛大的中國新年慶典再次重臨 Ulster Hall Belfast。 日期是一月廿二號星期日。超過十二個各式的民族表演包括舞龍舞獅,中國功夫和中國的傳統舞蹈表演等。請從速預訂門票!

Alan Lui, Master of The success Dragon & lion dance association

Please note that we are not involved in performances and ticket booking issues. All enquiries should be sent to the Association directly, following the contact information on the poster.

Mid-Autumn Festival Celebrations

Happy September and happy Mid-Autumn Festival which arrives early, falling on Saturday 10th September this year. 中秋节快乐 (Zhōngqiūjié kuàilè)!

Following the successful rolling out of the iRise Social and Wellbeing Event – A Taste of Chinese Tea with Guzheng Music in July, we would like to invite you to join our Mid-Autumn Festival celebration with a cultural talk on its history and social impact, with a taste of mooncakes (赏月 shǎng yuè) and MIDI keyboard performance (赏乐 shǎng yuè) –

MIDI Keyboard with Roses
  • Organised by The Language Centre and BAME & International Staff Network, QUB
  • Presented by Dr Liang Wang, The Language Centre
  • Contributed by Kehan (可瀚), BSc candidate in Music and Audio Production, School of Arts, English and Languages

Date: Friday 23rd September 2022
Time: 15:30 – 17:00 
Venue: The Auditorium, McClay Library

Please note: Due to rescheduling we may have some limited spaces available. For colleagues who signed up for the event and still can attend, you don’t need to do it again. However, if you are no longer able to attend in-person, please email liang.wang[at]qub.ac.uk so that places can be made to others. Please register by 4.00pm on Thursday 22nd September.

New Year greetings and melody

虎年大吉!春节快乐!

With thanks to Queen’s students DENG Wei (邓维), and QIAO Zexuan (乔泽轩) for coming together to produce this Celtic/Chinese inspired performance to welcome the arrival of the Spring Festival.

For audience from mainland China, you can access the video via this link.

We would also like to share our President and Vice-Chancellor’s New Year greeting with you all. In his message, Prof Ian Greer points out that Tiger loves adventure and challenge – the two characteristics will take you afar here at Queen’s. It’s not that you have to be always the strongest – life is that using all skills you have and those you’ve learned to take you further.

For audience from mainland China, you can access the video via this link.

We hope you enjoy a happy and healthy year ahead and look forward to welcoming you to our CNY celebrations launch event on Wednesday 02/02 and the culture talks that follow.

My journey to Henan Museum

What can you do on a rainy and wet winter day? Perhaps visiting a museum for an exhibition or event will be a good choice. In this post, we invite Yang LIANG (梁阳), a Queen’s graduate in TESOL from School of Social Science, Education and Social Work to share with you her recent experience of visiting Henan Museum (河南博物院 Hénán Bówùyuàn).

About Henan Museum

Henan Museum, built in 1927, is one of the oldest and largest museums in China. Its site changed for several times and finally lies at Nongye Road, Jinshui District, Zhengzhou, Henan. It is a history and art museum with a collection of more than 130,000 pieces of cultural relics through the ages.

China Highlights
The Homepage of Henan Museum (English version). The light spot on the map of China shows you where Henan Province locates while the shape on the left displays the provincial geographical range.

After some ten years, I went to visit Henan Museum again. This time, I went there mainly for a show on ancient Chinese music performance, as well as re-visiting the relics.

Yang Liang

The ticket is free, but one needs to book it, either online or on site. I did it via a mobile app for a slot of admission. Then I took a bus there, as the public transport system is very convenient nowadays and there is a bus station nearby.

The collection of photos show what the main entrance looks like and the main exhibition halls from different angles.

This is what it looks like inside of the museum with some of the exhibits. For a full range of exhibition, you can return to the Museum’s website above.

As a layperson of architecture and archaeology, I’m not going to focus on these constructions and relics. However, I’d like to share with you what I felt about this visit from my personal experience of watching the show performance and some other observation.

I watched the music show before walking to the exhibition halls, as I was more interested in the new forms and functions museum nowadays promote – not only for educational purposes, but also to entertain visitors of all walks of life. I was totally impressed by the quality of ancient music performance, fully immersed in the show and the marvelous acoustic effects which allowed me to travel back to thousands of years ago. Here are a few clips of performances that I recorded:

Nowadays, more and more young people enjoy visiting museums, attending both exhibitions and relevant events like talks and shows which encourage more dynamics and interactive engagement, in contrast to the formulaic stereotypes that visitors just took photos around in museums and left without much understanding and appreciation of such exhibitions. I recall that decades ago I went there seeing the same kinds of lifeless objects without any interest in observing, discovering, and imagining how and why they were relevant to me in history and have impacted on my life, let alone a good level of appreciation. If one has no good knowledge about these exhibits, they would easily feel so bored and want to escape.

This time, when I got it in hand, I found the idea of blind boxes, or mystery boxes, really appealing as I never could have guessed what kind of things were inside until I opened it with a ‘Wow’.

(The added line of characters read ‘拆盲盒的快乐 ~’, meaning the happiness (快乐 kuàikè) of opening (拆 chāi) the blind box (盲盒 mánghé). The photo shows that there is a set of samples of palace maid band designed by Henan Museum.)

I also came across two boys who were giving a video call to their mum, making a live broadcast while walking around. They told their mum what they saw and how they were impressed, and their mum sounded really excited over the phone.

I would also like to attribute this wonderful experience to the advance of modern technology which makes these old objects alive. For example, the amazing lighting and acoustic effect made me feel as if I stood in a traditional Chinese ink painting, exploring a wonderland when I saw many white cranes fly in the sky and heard the stream flowing pleasantly. Wow! Who wouldn’t enjoy this kind of visiting experience?

Editor: Liang WANG
Proofreader: Owen Marles

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CCF11 July Talk

CCF11 – Whose Play Is It? Translating and Performing Chinese Drama for the Global Stage

Speaker:
Dr Yangyang LONG 龙杨杨, Xi’an Jiaotong-Liverpool University

Dr Yangyang LONG is Assistant Professor in Translation and Interpreting. She was awarded PhD by Queen’s University Belfast in 2019. Her works have been published on journals such as The Translator, Asia Pacific Translation and Intercultural Studies, Atlantic Studies: Global Currents and Coup De Théâtre. She is currently working with Routledge on a monograph entitled “The Works of Lin Yutang: Translation and Recognition”, which will be published with the series “Routledge Studies in Chinese Translation”.

Outline:
Who owns a translated foreign-language play? The translator? The author? The playwright? The director? The dramaturg? The actors/actresses? The audiences? The critics? The theatre company? The (mass) media? What makes a Chinese play – in this case a classic of its national literature – worth translating and performing in a new environment, that is, the here and now of the 21st-century English-speaking world? This talk aims to explore the translation and performance of 2017 “Snow in Midsummer” (窦娥冤, The Injustice to Dou E That Moved Heaven and Earth by Guan Hanqing), a new stage production by the Royal Shakespeare Company for its “Chinese Classics Translation Project” (2013-2023).

More information:

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