The traditional Chinese Longtaitou (龙抬头 Lóng tái tóu) Festival, or Dragon-Head-Raising Festival, falls on the second day of the second lunar month every year, and recognises the start of spring and farming. This year it falls on 4th March.
Dragon Dance at the Chinese New Year Celebrations at Queen’s in 2020
In Chinese mythology, 龙 (Chinese dragon or coined as Loong), with its connotations for good luck and supreme power, is also the god managing weather and water, bring rainfalls for crops to grow and harvest. So this Longtaitou Festival is mainly about praying for good weather in spring with good rainfalls, the key time for plowing the fields.
Learning Chinese language and culture at Queen’s
3rd Semester Language Course Registration is open and closes promptly at 17:00 on Thursday 21 April 2022. Classes are expected to be extremely popular and fill up quickly, so early registration is strongly recommended.
To register with a Mandarin Chinese course, please follow the course information page for more information with links to registrations.
‘China Chic’: Chinese Language Video Festival launched to celebrate UN Chinese Language Day
CGTN.COM
The theme this year is “China Chic” – a modern take on traditional Chinese heritage from young people around the world. As China has continued to progress and innovate, unique cultural elements have been adapted to fit the very latest trends, with the younger generation increasingly aware of regional differences.
All non-native Chinese speakers from around the world are invited to submit an original video showcasing the beauty of Chinese traditions and how they are incorporated into the modern world.
Venue: Brian Friel Theatre, 20 University Square, Queen’s University, Belfast BT7 1NN
Language: English/Chinese
Booking: Eventbrite (free, but advanced booking essential)
Join us for an audio journey that brings together 1960s Northern Ireland and 21st Century China. Alongside excerpts from the original English version, Chinese Students from the Centre for Translating and Interpreting (CTI) at Queen’s University will narrate a new translated adaptation of Brian Friel’s short story ‘The Widowhood System’.
The Widowhood System是一个由布莱恩.弗里尔写于二十世纪六十年代的爱尔兰故事。三个嗜酒如命的中年单身汉，为了追逐埋藏于心多年的赛鸽梦，开始了一场堂吉诃德式的养鸽之旅。殊不知，赛鸽的命运和他们的人生产生了奇妙的重合……
What effect does translation have in transporting a story across time and space? When the page is adapted for the stage, what role does a translator play? What happens when a translator, often considered as the one doing the paperwork, leaves their desk to work as a theatre practitioner?
In this script reading and discussion event, co-organized by CTI, Friel Reimagined, and the Brian Friel Theatre, the translator, Chuchu, the music producer, Kehan and the actors will present the original text, the translated work and the procedure of the adaptation— a Chinese audiobook based on the story ‘The Widowhood System’ by the great Irish playwright Brian Friel. With the original text in English, the Chinese voice actors reading the translated version, and the translator sharing the background of the translation and adaptation process, this event aims to provide a unique insight into how a translated play is produced and presented.
Shurui Yang, aka Chuchu, is a PhD in translation from Center of Translation and Interpreting. Supervised by Prof. David Johnston and Dr. Kathleen Kaess, she mainly focuses on translating Brian Friel’s work from English into Chinese.
Please note that The Language Centre is not involved in this competition provision. Any queries regarding this competition shall be sent to the organiser directly.
2022 Chinese Competition of Charitable Projects & Business Innovations for UK University Students
Following the successful running of the online Chinese Competition of Charitable Projects and Business Innovations for UK University Students in 2020 and 2021 despite the COVID-19 pandemic, the 2022 Competition will be held in April 2022, organised by Centre for Language Education and Cooperation, UK.
Competition Date: 10th April 2022 (Sunday)
Format: Zoom Online
Contestants’ Qualifications: Undergraduate, postgraduate and PhD students studying at schools, faculties, departments, Confucius Institutes and language centers of the UK universities and people who take part-time courses, short courses and/or evening classes at the UK universities in 2021 to 2022. The mother tongue is not Chinese and the key family members’ mother tongue is not Chinese.
Theme: Topics related to charitable projects and business innovations, including but not limited to charitable projects, business plans, product introductions, introduction of companies and enterprises, business cases, project initiatives and market researches.
Content: Speech presentation*: 8 to 10 minutes Q&A: 5 minutes *Remarks: If there are videos produced by the contestant imbedded in the presentation, the videos can be no more than twice and longer than 1 minute.
Language: Mandarin Chinese
Prizes: Contestants who rank top 6 of the competition will be awarded certificates and partial contribution to the return airfare of undertaking work placement and/or attending business Chinese classes in China. The rest of the contestants will be awarded certificate of participation of the competition and souvenirs.
Enrollment: 1) Contestants please complete and submit the online application form together with the speech synopsis and other required supporting documents no later than 5pm on 11th March (Friday) 2) Participating universities please email the signed and dated confirmation form to the Organising Committee on later than 5pm on the 11th March (Friday).
Number of Contestants: In principle no more than 3 contestants from each participating university.
Support from the industry: Senior business personnel of the UK based key Chinese entreprises and companies and the local British counterparts will join the judging panel of the competition and provide awards for the competition as well as offer work placement for prominent contestants of the competition.
Contact: Name: Christina Zhang Email: bccompetition@clecuk.org
With thanks to our students Chen and Yuhang who shared the beautiful lantern photos taken in Belfast, we would like to wish you all a happy and healthy year!
Today is the Lantern Festival, which marks the first full moon of the new lunar year and the end of the Chinese New Year (Spring Festival) celebration period. We hope you have enjoyed our Year of the Tiger celebration events so far, and welcome you to continue with our Chinese Culture Forum, with two cultural talks remaining in February (16th and 23rd).
With thanks to Queen’s students DENG Wei (邓维), and QIAO Zexuan (乔泽轩) for coming together to produce this Celtic/Chinese inspired performance to welcome the arrival of the Spring Festival.
For audience from mainland China, you can access the video via this link.
We would also like to share our President and Vice-Chancellor’s New Year greeting with you all. In his message, Prof Ian Greer points out that Tiger loves adventure and challenge – the two characteristics will take you afar here at Queen’s. It’s not that you have to be always the strongest – life is that using all skills you have and those you’ve learned to take you further.
For audience from mainland China, you can access the video via this link.
We hope you enjoy a happy and healthy year ahead and look forward to welcoming you to our CNY celebrations launch event on Wednesday 02/02 and the culture talks that follow.
The Language Centre at Queen’s and the BAME&I Staff Network invite staff, students, as well as members of the public, to join in welcoming the Year of The Tiger, which falls on Tuesday 1 February, with a variety of online cultural celebrations that explore the theme of Connectedness and Inclusion.
The launch event is scheduled between 13:00 and 14:15 on Wed 2 February featuring welcomes, cultural performances and a guest talk, followed by a variety of culture talks in the following weeks, as part of the Chinese Culture Forum 2022. All welcome!
The online Art Exhibition, in collaboration with the ArtEast Club, is open for viewing now. You are very welcome to leave your thoughts and votes for the ones you like best from each other the artists.
The Laba Festival (腊八节 làbā jié), a traditional Chinese festival on the 8th day of the 12th month (called 腊月 là yuè) in the lunar calendar, falls on today 10th January. It is often seen as the signal of the arrival of the Chinese New Year (or Spring Festival).
On the day, in many places across China, mainly the north, northwest and southeast, people cook and eat Laba congee (腊八粥 làbāzhōu), typically made of rice, mixed beans, various nuts and dried fruits, etc., all of which are believed to be good for health. Having Laba congee can keep one feel warm and spirited in the cold and wet weather.
Here are some examples of what some local Chinese families prepared. If you have cooked your own Laba congee, you are welcome to share your photos with us.
Laba Congee in preparation | Image@ShaWang
Laba Congee in preparation | Image@LiangWang
Laba Congee | Image@LiangWang
Laba Congee | Image@SharonFan
2022CNY celebrations at Queen’s – calling for participation
This year the Chinese New Year falls on Tuesday 1st February, when the transition from Ox to Tiger takes place.
The Language Centre at Queen’s would like to take this opportunity to invite all our students, staff members, as well as members of the public, to join in our celebrations of the Year of the Tiger. As we have been continuously working hard to turn things around for a better future, we welcome mighty powers gathered by each and every one of you through the theme of Connectedness and Inclusion. The Chinese New Year is such an occasion we choose to celebrate cultural diversity, in which the Chinese community, together with the other ethnic groups, has done its best to embrace the challenges.
Image@JeanJing
To extend our reach to diverse communities and to ensure a more inclusive programme, we would like to invite you, students and staff, Chinese and non-Chinese, to share your passions through participation and to express your interest to help enrich our programme by considering contributing to one or more of the following options:
Cultural demo and performance – short recordings of various types of cultural demo and performances, including music, singing, dance, calligraphy, magic, martial arts, anticraft, and many more.
Culture forum and workshop/exhibition – live or recorded culture talks, workshops and exhibitions. The Chinese Culture Forum runs throughout the year and updates on a monthly basis.
Festival greetingand gratitude – send us textual, graphic, audio-visual messages that contain Chinese New Year greetings and gratitude on a personal or collective level.
For more information on culture talks, please click Chinese Culture Programme. To express your interest and discuss your potential form(s) of contribution, feel free to contact us by filling the Comment box below.
To share with us your intercultural experience and perspectives of a broader range of themes and topic, please consider joining our Chinese Language Interest Group as contributors.
Our previous article, My Journey to Henan Museum written by Yang LIANG, has been invitingly responded with a new but related article contributed by a current MA in Irish Studies postgraduate at QUB, Martin Duffy, who, with great interest, shared his experience and perspective of visiting the Mausoleum of the First Qin Emperor and the Terracotta Warriors in his early years when visiting Xi’an, China.
[The author happily acknowledges the copyright of all videos and pictures included in this article which are reproduced under fair use policy for educational purposes only.]
Frontispiece of the Museum site: Photo: China.org.cn
Statute of the First Qun Emperor on the Great Wall, Photo: China.org.cn
This is undoubtedly one of the “must see” sights of China. Tickets can be obtained by web, agent or at the admissions desk, and there are a variety of discounts. The Great Wall of China was augmented by the emperor to protect the newly founded Qin dynasty (221–206 BC.). In many ways this is Emperor Qin’s greatest legacy. However, the Emperor’s personal mausoleum and world-famous Terracotta Warriors are treasures to rival even the Great Wall.
What can you do on a rainy and wet winter day? Perhaps visiting a museum for an exhibition or event will be a good choice. In this post, we invite Yang LIANG (梁阳), a Queen’s graduate in TESOL from School of Social Science, Education and Social Work to share with you her recent experience of visiting Henan Museum (河南博物院Hénán Bówùyuàn).
About Henan Museum
Henan Museum, built in 1927, is one of the oldest and largest museums in China. Its site changed for several times and finally lies at Nongye Road, Jinshui District, Zhengzhou, Henan. It is a history and art museum with a collection of more than 130,000 pieces of cultural relics through the ages.
The Homepage of Henan Museum (English version). The light spot on the map of China shows you where Henan Province locates while the shape on the left displays the provincial geographical range.
After some ten years, I went to visit Henan Museum again. This time, I went there mainly for a show on ancient Chinese music performance, as well as re-visiting the relics.
– Yang Liang
The ticket is free, but one needs to book it, either online or on site. I did it via a mobile app for a slot of admission. Then I took a bus there, as the public transport system is very convenient nowadays and there is a bus station nearby.
E-ticket via a mobile app
The Nongye Road (农业路) | Image@YangLiang
The Bo Wu Yuan Station (The Museum Station) | Image@YangLiang
The outdoor self-service storage zone | Image@YangLiang
The collection of photos show what the main entrance looks like and the main exhibition halls from different angles.
Henan Museum, front | Image@YangLiang
Henan Museum, side | Image@YangLiang
Henan Museum, side | Image@YangLiang
This is what it looks like inside of the museum with some of the exhibits. For a full range of exhibition, you can return to the Museum’s website above.
Henan Museum, inside, the hallway | Image@YangLiang
An introduction to female clothing in Tang Dynasty | Image@YangLiang
An introduction to the palace lamp in Han Dynasty| Image@YangLiang
The exhibit of Changxin Palace Lamp | Image@YangLiang
The collage of the exhibit from different angles | Image@YangLiang
Fu Hao wine vessel exhibit | Image@YangLiang
As a layperson of architecture and archaeology, I’m not going to focus on these constructions and relics. However, I’d like to share with you what I felt about this visit from my personal experience of watching the show performance and some other observation.
I watched the music show before walking to the exhibition halls, as I was more interested in the new forms and functions museum nowadays promote – not only for educational purposes, but also to entertain visitors of all walks of life. I was totally impressed by the quality of ancient music performance, fully immersed in the show and the marvelous acoustic effects which allowed me to travel back to thousands of years ago. Here are a few clips of performances that I recorded:
Nowadays, more and more young people enjoy visiting museums, attending both exhibitions and relevant events like talks and shows which encourage more dynamics and interactive engagement, in contrast to the formulaic stereotypes that visitors just took photos around in museums and left without much understanding and appreciation of such exhibitions. I recall that decades ago I went there seeing the same kinds of lifeless objects without any interest in observing, discovering, and imagining how and why they were relevant to me in history and have impacted on my life, let alone a good level of appreciation. If one has no good knowledge about these exhibits, they would easily feel so bored and want to escape.
This time, when I got it in hand, I found the idea of blind boxes, or mystery boxes, really appealing as I never could have guessed what kind of things were inside until I opened it with a ‘Wow’.
(The added line of characters read ‘拆盲盒的快乐 ~’, meaning the happiness (快乐 kuàikè) of opening (拆 chāi) the blind box (盲盒 mánghé). The photo shows that there is a set of samples of palace maid band designed by Henan Museum.)
I also came across two boys who were giving a video call to their mum, making a live broadcast while walking around. They told their mum what they saw and how they were impressed, and their mum sounded really excited over the phone.
I would also like to attribute this wonderful experience to the advance of modern technology which makes these old objects alive. For example, the amazing lighting and acoustic effect made me feel as if I stood in a traditional Chinese ink painting, exploring a wonderland when I saw many white cranes fly in the sky and heard the stream flowing pleasantly. Wow! Who wouldn’t enjoy this kind of visiting experience?
