Tag Archives: migration

The Metropole, the Diaspora, their Books, their Circuits: Reading English Drama in Spain 1640-1808, Friday 10 March 2023 – Seminar write-up

This post is part of our Research Initiation Scheme for 2022-2023.

On Friday 10^th March 2023, Dr John Stone (Serra Hunter Fellow in English Literature, Universitat de Barcelona) delivered a seminar about his latest research on diasporic populations in Spain between 1640 and 1808 and their libraries, particularly English language dramas and poetry.

Dr Stone opened the seminar by introducing us to the diasporic populations he would be focusing on in the paper. A diaspora refers to a network of ethnically and linguistically related peoples who are often geographically separated from one another. Dr Stone referred primarily to the communities of British and Irish immigrants, mainly Catholics, who were forced from the newly Protestant Great Britain following the reign of Queen Elizabeth I and moved to Spain. They became “islands of English culture”, in Dr Stone’s words. Books and other literary works in their native tongue acted as tools to preserve and further their cultural heritage in a foreign nation.

These communities were incredibly close-knit, and the solidarity between their members was evidenced in the work of the Royal Scots College, a seminary founded in Madrid in 1627. As Dr Stone explained, ordinary families could not import books into Spain. The Scots College, however, had a licence to import almost any text they wanted, and so would take requests from British and Irish diasporic communities to provide them with this connection to their natal land.

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Postgraduate student interviews: Rochelle Marsh (MRes)

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This post is part of our Research Initiation Scheme for 2021-2022.

Hi Rochelle, what has your university journey been like?

Its’s been a very long one! I studied French and Spanish at A-Level and carried on with those two languages here at Queen’s [in my undergraduate degree]. In my third year, I went to Asturias and took the risky decision to stay there during the Covid pandemic to complete my year abroad. I later returned to Queen’s to complete my final year and started thinking about my next steps. Initially, I wanted to do a PGCE [Postgraduate Certificate in Education] but after speaking to my lecturers I learned about the Master of Research [MRes]. Intrigued, I submitted a proposal, then I was awarded a scholarship to help with funding, and now I am at the end of my Masters with a dissertation deadline this September.

Your dissertation is entitled ‘Female Voices and Testimonies From the España vacía/vaciada’, can you tell me more about this?

The female voices refer to these texts written by contemporary female Spanish authors: Tierra de mujeres, by Maria Sánchez, Feria by Ana Iris Simón and Un amor by Sara Mesa. They each focus on a unique aspect of the countryside, a motif that has long been discussed in Spanish literature but was recently brought into conversation after Sergio del Molino’s book La España vacía. The title means ‘empty Spain’ but critics challenged that La España ‘vaciada’, meaning ‘Spain emptied’, would have been a more accurate title to describe the changing countryside. His book explored the portrayal of the Spanish countryside and rural to urban migration trends in literature, film and press articles. My dissertation therefore analyses how these three texts dialogue with the concept of ‘España vacía’ and how these texts challenge the mistreatment of the countryside and rural women. I also look at the extent to which these texts can be a form of provocation or activism and if there is a correlation between the success of these texts and the fact there is a wide female readership in Spain.

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Modern Languages CDRG Research Showcase 2021: Child-centred Art at the Mexico-U.S. Border: Ethical Questions and Imaginative Possibilities

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This post is part of our Research Initiation Scheme for 2020-2021.

On the 25th of June, as keynote speaker of the Modern Languages Core Disciplinary Research Group Research Showcase of 2021, Professor Nuala Finnegan of University College Cork gave a plenary lecture entitled ‘Child-centred Art at the Mexico-U.S. Border: Ethical Questions and Imaginative Possibilities’.

Professor Finnegan began her lecture by showing an image of Donald Trump on the cover of Time magazine in June 2018, in which Trump is depicted looking down on a distressed child crying. This is a reconfiguration of a now infamous image, wherein this child is watching her mother being searched at the U.S.-Mexico border. This brought us to the child separation process of April 2018 during the Trump administration, and the inhumanity of this.

Professor Finnegan identified three primary tropes of representation of children at the border: children as dead, distressed, or imprisoned. She criticised the lack of integrity shown within the fields of journalism and politics regarding such representations, as the migrant child and their trauma has often been used for political photo opportunities, or as disaster pornography in humanitarian campaigns. Professor Finnegan therefore covered the faces of children and migrants in the images she used throughout the lecture to respect their privacy and agency. She considered what happens when other representations of children enter the fray, asking: how does this disrupt the narrative?

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