Category Archives: Postgraduate student interviews

Postgraduate student interviews: Lauren McShane (PhD)

This post is part of our Research Initiation Scheme for 2022-2023.

Lauren McShane, personal archive

What has your academic trajectory been so far?

I really enjoyed languages at school. I studied Spanish at GCSE and took French just before GCSE, and I decided to continue them. I did an undergraduate degree in French and Spanish, and decided that I hadn’t had enough of French. I really wanted to keep going so I decided to continue on to MRes because I wanted to work in a research-led, more heavily dissertation-weighted kind of course, and I didn’t think the taught programs, like the MAs, were as good a fit. I did an MRes on medical humanities and French culture, even though I had never studied medical humanities before. The MRes is a good space to discover something completely new. I really wanted to keep this going, so I decided to apply for a PhD (which you absolutely do not have to do if you get an MRes!). The MRes sets you up well for it; you get the chance to explore other areas of the School and get a chance to experiment with some more independent work.

What are you currently working on, and why did you choose the topic?

I’m still within the medical humanities, I really enjoy it. While I was doing my MRes, I got really interested in broader networks of people. So, for example, I was looking at one person suffering with alcoholism, but I became interested in what the experience for other people around them might be like and what their lived experience of care is like. I decided to put together a PhD project with my supervisor on narratives of family alcoholism. I’m looking at people who have grown up with an alcoholic mum or dad and how they write about their lived experience and have come to understand health care and their parent’s experience. For me, it really grew out of my MRes project. I will say that that the project did change post-proposal, so there’s nothing wrong with you or the project if it has to change. The research evolves and grows with you.

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Postgraduate student interviews:  Rochelle Marsh (MRes)

This post is part of our Research Initiation Scheme for 2021-2022.

Hi Rochelle, what has your university journey been like?  

Its’s been a very long one! I studied French and Spanish at A-Level and carried on with those two languages here at Queen’s [in my undergraduate degree]. In my third year, I went to Asturias and took the risky decision to stay there during the Covid pandemic to complete my year abroad. I later returned to Queen’s to complete my final year and started thinking about my next steps. Initially, I wanted to do a PGCE [Postgraduate Certificate in Education] but after speaking to my lecturers I learned about the Master of Research [MRes]. Intrigued, I submitted a proposal, then I was awarded a scholarship to help with funding, and now I am at the end of my Masters with a dissertation deadline this September.

Your dissertation is entitled ‘Female Voices and Testimonies From the España vacía/vaciada’, can you tell me more about this?

Image: cover of Un amor by Sara Mesa

The female voices refer to these texts written by contemporary female Spanish authors: Tierra de mujeres, by Maria Sánchez, Feria by Ana Iris Simón and Un amor by Sara Mesa. They each focus on a unique aspect of the countryside, a motif that has long been discussed in Spanish literature but was recently brought into conversation after Sergio del Molino’s book La España vacía. The title means ‘empty Spain’ but critics challenged that La España ‘vaciada’, meaning ‘Spain emptied’, would have been a more accurate title to describe the changing countryside. His book explored the portrayal of the Spanish countryside and rural to urban migration trends in literature, film and press articles. My dissertation therefore analyses how these three texts dialogue with the concept of ‘España vacía’ and how these texts challenge the mistreatment of the countryside and rural women. I also look at the extent to which these texts can be a form of provocation or activism and if there is a correlation between the success of these texts and the fact there is a wide female readership in Spain.

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Postgraduate student interviews: Aislin Kearney (PhD)

This post is part of our Research Initiation Scheme for 2020-2021.

On the 20th of April I interviewed recent Queen’s PhD graduate Aislin Kearney to discuss her research. In February 2021, Aislin successfully passed her viva for a PhD in Spanish with a thesis entitled ‘’The Ambition of Melancholy: The Aesthetics of Heroism in the Lyric poetry of Juan Boscán and Fernando de Herrera’.

Aislin began her studies at Queen’s as a drama student, where she started a beginner’s course in Spanish. She enjoyed the course so much that she decided to change pathways, majoring in Spanish with a minor in Drama. In her final year she described how she was (begrudgingly) enrolled on a Renaissance module. Unexpectedly, however, the module caught her interest, and when she went on to an MA in Spanish at Queen’s, she devoted her Master’s dissertation, and later PhD, to further examining the poetry of the period.

Portada de Las obras de Boscán y algunas de Garcilaso de la Vega repartidas en cuatro libros, Barcelona, Carlos Amorós, 1543.

Her Master’s dissertation focused on the work of Spanish poet Juan Boscán, a lesser-known contemporary of Garcilaso de la Vega. Central to her study of Boscán’s poetry was the emerging idea of melancholic heroism, which Aislin explained was particularly interesting when considering the historical context in which the poetry was being written. During a period in which the country was rising to become somewhat of a superpower, much of its most prominent literature was characterized by lovesick, introspective, and melancholic figures.

Aislin described her PhD as a natural progression from her Master’s research, in which she further explored this melancholic aesthetic, and Spain’s attachment to it, by examining not only the work of Boscán but also his successor, Fernando de Herrera. Aislin explained that her choice in poets was influenced by a number of factors. First, the consecutive periods in which these poets were writing allowed for a better understanding of the historical trajectory of Spanish literature during this time. Second, these two lesser-known poets’ peripheral positions in relation to the extensively studied Garcilaso de le Vega allowed for a more expansive understanding of Spanish poetry of the period. Finally, the fact that both of these poets produced theoretical works alongside poetry, where they discussed their methods and approaches, made them interesting subjects on which to focus research.

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Postgraduate student interviews: Jordan McCullough (PhD)

This post is part of our Research Initiation Scheme for 2020-2021.

Interview with Jordan McCullough, second year PhD student at QUB.

Jordan McCullough, personal archive

So, Jordan, what has been your university trajectory so far?

I studied French and Spanish at Queen’s, then continued on to do an MRes, with a dissertation examining end of life care in France, from the perspective of the patient and their family. While completing this, I felt like I would like to take things further and see where it might take me. I applied for PhD funding whilst I was still doing my MRes, got funded by Northern Bridge and here I am now, in the second year of my PhD!

What is the topic of your current research project?

My project looks at parental grief narratives, that is, writing by parents who have lost children for a variety of different causes, such as terminal illness, suicide, violent death, terrorist attacks or even accidental death. There are a wide range of causes of death but what I’m trying to do with that is to find out, first of all, what makes the parents write; what do they get out of it themselves, and what do they give to their children through this idea of continuing bonds and ongoing legacy, and secondly, what drives these parents to go beyond writing for themselves and their child and publish their text, and what changes when there’s a readership and an audience involved.

What has been the most interesting part of your research so far?

By far, the most interesting aspect of my research journey has been the short placement I undertook with the regional paediatric palliative care team in Brittany. It was wonderful to see how my research might have some sort of positive impact in the everyday lives of parents grieving the loss of their child. I learnt a lot from the staff at the unit and I think I was able to give something back in return. All being well, I hope to get back across to France next year to spend some more time with the team.

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Postgraduate student interviews: Evie Domingue (MRes)

This post is part of our Research Initiation Scheme for 2020-2021.

Evie Domingue is an MRes in Arts and Humanities candidate, whose research focuses on representations of Afro-Brazilian women in the media and the ways they represent themselves in their own media productions. In this interview, I speak with Evie about, amongst other things, her reasons for pursuing research on this topic, the strong sense of urgency it holds in Brazil’s current socio-political context, and her advice for those thinking of doing an MRes.

Prior to postgraduate study, Evie completed her BA Hons in Spanish and Portuguese at Queen’s University Belfast. She cites the ‘Brazilian Digital Culture’ module that she completed in her final year, taught by her MRes supervisor Dr Tori Holmes, as having sparked her interests for both media and Brazilian studies. It also gave her the opportunity to incorporate her passion for race studies into the aforementioned topics. She notes that the independent study she completed as part of this module gave her insight as to what was to come for the MRes.

Evie Domingue, personal archive

In terms of methodology, Evie is analysing various forms of media – a YouTube channel, music, a film, a streaming platform and a telenovela (serial drama) – and picking up on the most prominent themes within this material. She notes that whilst her project is still developing and evolving, so far she has found recurring topics in her research material to be issues of identity, black aesthetic standards in the realm of self-representation, and black female protagonism.

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Postgraduate student interviews: Ciaran Harty (PhD)

This post is part of our Research Initiation Scheme for 2020-2021.

Ciaran Harty, personal archive

On Wednesday 14th April 2021, I had the pleasure of interviewing Queen’s PhD student in Spanish, Ciaran Harty. Ciaran completed his undergraduate degree in French and Spanish at QUB and then proceeded to do an MRes on the Representation of Madrid in the Artículos de Costumbre by the 19th century Spanish writer, Mariano José de Larra. Whilst undertaking a PhD was not initially on the cards, Ciaran discovered a true passion for this particular area of studies, and so, in 2018 he began his PhD with the QUB Spanish department. The current working title of his thesis is: Precursors of Costumbrismo: The creation of a genre at the end of Spanish Enlightenment.

Ciaran described the Masters as a “stepping-stone” to the PhD, because although there are many similarities, the PhD unsurprisingly involves considerably more reading, researching and writing. I was particularly interested in finding out how his writing style had changed over time. Many undergraduate students believe the common misconception that in order to be successful in your degree, you must produce work with a high-brow, overly-academic style of writing. He assured me that while feeling this pressure was normal, and indeed something that he had experienced too, it was ultimately unnecessary. The most important thing is finding your own writing style and this is something that the PhD has allowed him to do. Through extensive reading, constructive feedback from peers and supervisors and consistently practising writing, he found that he was able to develop his own style and allow it to flow more naturally. This made the process more enjoyable for him and the content more digestible for his readers.  

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Postgraduate student interviews: Laura Kennedy (PhD)

This post is part of our Research Initiation Scheme for 2020-2021.

From Paris to London to Queen’s, we caught up with Laura Kennedy to learn about her global PhD French project and her advice for undergraduates considering postgraduate study.

Q. What has your journey to PhD been like?

Laura Kennedy, personal archive

It’s been enjoyable, but unexpected. My B.A was in French studies at the University of London Institute in Paris. In my final year, I took a French colonialism class, and became really interested, particularly in Algeria. My interests have always been in literature and postcolonial literature was the perfect overlap. I did my final year dissertation on Kamel Daoud and his book Meursault, contre-enquête.  The next step for me was to get a theoretical base of postcolonial scholarship. Once I graduated, I worked for a year in Paris and researched Masters programs. I found SOAS University of London. They did a Masters in Comparative Literature of Africa and Asia which I completed in 2020. SOAS was a watershed moment for me academically; I could focus in on my interests which I came to realize were language politics and postcolonial novels. Once I realized this, I put PhD proposals together – I wasn’t going to stop after the Masters. I felt like I would be an outsider coming to Queen’s at PhD. I’m happy to be mistaken on that. Within weeks, I felt welcome and part of the community.

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Postgraduate student interviews: Jordan Hamilton (MRes)

This post is part of our Research Initiation Scheme for 2020-2021.

Jordan Hamilton began his higher education trajectory with a BA Hons degree in English and Spanish at Queen’s University Belfast. Looking ahead to potential postgraduate study, Jordan decided to pursue his interests in Golden Age Spanish literature. Subsequently, he applied to do the MRes in Arts and Humanities. Jordan went on to successfully complete the MRes on a part-time basis under the supervision of Dr Anne Holloway.

In the following interview, Jordan reflects on his research project and methodologies. He also offers advice for undergraduate students who are considering following a similar academic pathway.

Jordan Hamilton, personal archive

The key focus of Jordan’s MRes project was the New Spanish poet and Hieronymite nun Sor Juana Inés de la Cruz (1648-1695). His interest in this figure was sparked during the third year cultural cursillo (mini-module) on ‘Foreign Correspondents’, when he was allocated her love poetry as the theme for his class presentation. It was precisely the preparatory research that Jordan carried out for this presentation, which inspired his interest in Sor Juana’s poem Romance 51. This newfound passion served as the catalyst for his MRes proposal. Initially, his proposal included Sor Juana’s Renaissance love poetry and her self-representation.

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