Tag Archives: Latin America

Modern Languages CDRG Showcase 2024 / Crossing Borders With Only Our Words: (Translating) Prose and Poetry in the Americas – Keynote write-up

This post is part of our Research Initiation Scheme for 2023-2024.

Ilana Luna (photo by Modern Languages CDRG)

On Friday 24^th May 2024, Dr Ilana Luna, Associate Professor of Spanish and Latin American Studies at Arizona State University, delivered the keynote speech at the 2024 Modern Languages Core Disciplinary Research Group Showcase on the importance of translation in human understanding of our global neighbours. Her interdisciplinary approach brought together her interest in Latin American studies, feminist writing, poetry and translation. In her paper Dr Luna drew on her extensive experience as a translator (she was shortlisted for the inaugural Sarah Maguire Prize for Poetry in Translation in 2021 for her edition of Judith Santopietro’s Tiawanaku) and her work as an Associate Editor for Cardboard House Press in Phoenix, Arizona. She noted the importance of small presses to the literary landscape of today especially when it comes to the role they play in supporting texts in translation.

In her paper, as in her book Adapting Gender: Mexican Feminisms from Literature to Film (SUNY Press, 2018), which looks at the historical role of women in the Mexican film industry and how this ruptures stereotypes in the broader socio-political context of Mexico, Dr Luna sought to build bridges by creating conversations among people and texts prompting them to think about what it means to cross borders with only our words.

In her keynote speech, Dr Luna rejected the idea of a pristine, pure translation which as linguists we all grapple with. She described the process of translation as being simultaneously in oneself and outside oneself as it is a radical act of listening and interpretation. Throughout her presentation she drew on many examples of her translation of poetry, including Una vez que la leña se hubiera terminado [Once the firewood had finally burned out] by Cristián Gómez Olivares and Independencia del apátrida [Independence for the stateless] by Mauricio Espinoza. These poems reflect the touching reality of thousands of people who struggle to feel a sense of belonging to a nation because of their borderland experience.

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Postgraduate student interviews: Claire Whyte (PhD)

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This post is part of our Research Initiation Scheme for 2023-2024.

What has your academic journey looked like so far? What did you study during your undergraduate and previous postgraduate experiences?

I undertook my PhD in Spanish as a mature student. For my undergraduate degree I did Languages and Latin American Studies [at the University of Essex]. After university I didn’t go straight on to postgraduate study. I travelled after my degree and I lived abroad for several years, teaching in a number of countries (South Korea, New Zealand). In 2016, when I was made redundant from the language program I was teaching on, I applied for a Master’s in Modern Languages at Queen’s. I then had a year between finishing my master’s and applying for the PhD. I enjoyed the return to studying and university life. So, I put a proposal together, applied for the PhD, and got accepted, which I hadn’t really expected! I just finished my PhD in November [2023] – there were some interruptions to my studies, especially because of the pandemic, so my journey was a bit more protracted.

Would you be able to give a brief explanation of your PhD research?

I will try! My broad area is Mexican Studies; in my thesis, “Frida Kahlo and Astrid Hadad: Performing Woman and Nation in 20^th Century Mexico”, I look at artist Frida Kahlo, and cabaret político [political cabaret] performer Astrid Hadad. I examine how they perform, resist and contest the hegemonic constructs of Mexican womanhood. So, I look at Kahlo’s self-portraits against the background of cultural nationalism in post-revolutionary Mexico (the period following the Mexican revolution of 1910-1920). I contextualise her work against the art history and discourse of the period. In relation to Astrid Hadad, I examine her work against the backdrop of NAFTA, the North American Free Trade Agreement, which was signed towards the end of the 20th century. I look at how she uses her cabaret performances as political commentary and how she performs womanhood in that context.

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Postgraduate student interviews: Isabel Buckley (MRes)

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This post is part of our Research Initiation Scheme for 2023-2024.

What has your university journey been like so far?

During my A-level studies I au-paired in Spain and I really enjoyed using the language there. I did History and Spanish for my undergraduate degree [at Queen’s] because I didn’t want to lose my Spanish and I found the Spanish side more interesting for me and that’s how I have come to do an MRes [Master of Research] now.

So, tell me about your current research project: ‘Genre and gender in female authored narco-novelas’.

It looks at female narco-novelas which are women-authored books about drug trafficking. I’m looking at Perra Brava by Orfa Alarcón, who is a Mexican author, El Leopardo al Sol by Laura Restrepo, who is a Colombian author, and Pistoleros by Paula Castiglioni, who is an Argentinian author. So, my scope is across Latin America. From what I have seen, most of the productions on drug trafficking, like TV series, focus on male figures so I thought it would be interesting to look at a female-narrated point of view and the portrayal of women and see how that is different.

Where did your interest in this topic come from?

I enjoyed Sarah Bowskill’s module on US/Mexican border issues during second year and then in final year I did Sarah’s other module, on Roberto Bolaño’s 2666, which touched on the issue of drug trafficking. I really enjoyed the further readings that were set within these two modules and believe the good grades I achieved were down to how much I enjoyed the content. Then when I heard about the MRes and how flexible it was, I decided to do that, and I also got funding which has helped.

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Sewing Thoughts Together: Pandemic, Texts, and Textiles, 10 December 2021 – Seminar write-up

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This post is part of our Research Initiation Scheme for 2021-2022.

On Friday 10^th December 2021, Dr Fiona Clark (Senior Lecturer in Latin American Studies at Queen’s University Belfast) delivered a seminar entitled ‘Sewing Thoughts Together: Pandemic, Texts, and Textiles’ at the 2021-2022 Modern Languages Core Disciplinary Research Group Seminar Series. Dr Clark’s seminar analysed the interactions between art, environmental justice, health and wellbeing, reflecting on how Level 3 students in the Protecting Paradise cursillo (mini-module) have used their personal experiences as inspiration for creative work.

Image of a student arpillera — Anonymous student arpillera (2020) from collection held by Fiona Clark

Dr Clark opened up the seminar with an overview of the arpillera, a Chilean textile art form. The word arpillera is used for sackcloth in Spanish. This material was used to package coffee beans, potatoes and flour. From this humble background grew the arpillera textile art form used by Chilean women in the 1970s to capture their experiences of loved ones who were disappeared during the Pinochet dictatorship. Since many of these women were from the poorer end of the social classes in Chile, re-using sackcloth and other materials from around the home (such as school uniforms and old shirts) made this art form accessible and personal through the introduction of materials from the disappeared loved ones. The materials were arranged and sewn together to create an image. Many of these arpilleras reflect on a violent political regime, which Dr Clark later related to the idea of ‘craftivism’: using handcraft as a form of activism. Arpilleras also served as a way to keep alive the memories of loved ones. Dr Clark explained how women would gather together to sew and tell stories. In this way, textiles were used as a way to work through personal trauma and bring communities together.

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