Category Archives: Research initiation 2020-2021

Postgraduate student interviews: Laura Kennedy (PhD)

This post is part of our Research Initiation Scheme for 2020-2021.

From Paris to London to Queen’s, we caught up with Laura Kennedy to learn about her global PhD French project and her advice for undergraduates considering postgraduate study.

Q. What has your journey to PhD been like?

Laura Kennedy, personal archive

It’s been enjoyable, but unexpected. My B.A was in French studies at the University of London Institute in Paris. In my final year, I took a French colonialism class, and became really interested, particularly in Algeria. My interests have always been in literature and postcolonial literature was the perfect overlap. I did my final year dissertation on Kamel Daoud and his book Meursault, contre-enquête.  The next step for me was to get a theoretical base of postcolonial scholarship. Once I graduated, I worked for a year in Paris and researched Masters programs. I found SOAS University of London. They did a Masters in Comparative Literature of Africa and Asia which I completed in 2020. SOAS was a watershed moment for me academically; I could focus in on my interests which I came to realize were language politics and postcolonial novels. Once I realized this, I put PhD proposals together – I wasn’t going to stop after the Masters. I felt like I would be an outsider coming to Queen’s at PhD. I’m happy to be mistaken on that. Within weeks, I felt welcome and part of the community.

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Narrations of Suffering and Recovery, PGR Research in Progress Workshop, 26 February 2021 – Seminar write-up

This post is part of our Research Initiation Scheme for 2020-2021. It brings together write-ups, by three different undergraduate students, of presentations given as part of a Research in Progress Workshop by Postgraduate Research Students in Modern Languages on 26 February 2021. The talks covered were by Margaret Cunningham, Jordan McCullough, and Bushra Kalakh, and the workshop was chaired by Dr Ricki O’Rawe.

Margaret Cunningham, French

Anyone who has read a historical novel will know that fictional writing can recover and reinvent the past in ways which rejuvenate long forgotten narratives and perspectives. This quality of historical fiction is particularly important in post-colonial contexts where indigenous and local stories are too easily overlooked and silenced. In her talk on the 26th February, Margaret Cunningham (PhD student in French at QUB) gave a fascinating insight into this topic.

In a presentation entitled ‘Multiperspectivity and Memory: Rewriting Disaster in the French Caribbean’, Margaret addressed disaster literature in the French Caribbean, with particular focus on fictional accounts of the 1902 eruption of Mount Pelée on the island of Martinique. In this presentation, Margaret examined the ways in which Martinican author Daniel Picouly bears witness to and measures the cultural effects of this disaster in his book Quatre-vingt-dix secondes (90 Seconds).

The French Caribbean, Margaret explained, has a long history of suffering. Not only is it vulnerable to natural disaster, but French colonization meant that the islands have a turbulent history, rife with tyranny and social unrest. Because of this, there is a contentious social climate in Martinique, with controversy surrounding memories and intense debate over which anniversaries should be celebrated. Margaret argued that literature plays a crucial role in navigating debate surrounding Martinique’s troubled past and becomes a vehicle to produce new cultural memory. Through the fictional rewriting of real historical events, authors can recover and reinvent the past, repressing trauma and prioritizing certain perspectives and narratives.

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Postgraduate student interviews: Jordan Hamilton (MRes)

This post is part of our Research Initiation Scheme for 2020-2021.

Jordan Hamilton began his higher education trajectory with a BA Hons degree in English and Spanish at Queen’s University Belfast. Looking ahead to potential postgraduate study, Jordan decided to pursue his interests in Golden Age Spanish literature. Subsequently, he applied to do the MRes in Arts and Humanities. Jordan went on to successfully complete the MRes on a part-time basis under the supervision of Dr Anne Holloway.

In the following interview, Jordan reflects on his research project and methodologies. He also offers advice for undergraduate students who are considering following a similar academic pathway.

Jordan Hamilton, personal archive

The key focus of Jordan’s MRes project was the New Spanish poet and Hieronymite nun Sor Juana Inés de la Cruz (1648-1695). His interest in this figure was sparked during the third year cultural cursillo (mini-module) on ‘Foreign Correspondents’, when he was allocated her love poetry as the theme for his class presentation. It was precisely the preparatory research that Jordan carried out for this presentation, which inspired his interest in Sor Juana’s poem Romance 51. This newfound passion served as the catalyst for his MRes proposal. Initially, his proposal included Sor Juana’s Renaissance love poetry and her self-representation.

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Echoes of 18th-Century Spanish Literature in the British Romantic Press, 4 December 2020 – Seminar write-up

This post is part of our Research Initiation Scheme for 2020-2021.

The final seminar talk of the Semester 1 Modern Languages Core Disciplinary Research Group series took place on Friday 4th December. The seminar, ‘Echoes of 18th-century Spanish literature in the British Romantic Press’, was presented by Dr Leticia Villamediana (Hispanic Studies, University of Warwick).  

Dr Villamediana began by contextualising her research, explaining that it is part of a larger project with universities in the UK and Spain. The project, ‘Hispanic Literature in the British Romantic Periodical Press: Appropriating and Rewriting the Canon’, aims to build a map of British Hispanism in the Romantic period by exploring Hispanic literature featured in the British periodical press between 1802 and 1832. Reviews of Spanish literature in British periodicals helped to broaden readers’ knowledge of foreign culture and played a role in shaping public opinion. 

British interest in Spanish history, culture and literature emerged only in the beginning of the 19th century, the cause of this being the Peninsular War. In the eyes of Great Britain, Spanish literature had previously been regarded as backward and the antithesis of Enlightenment ideals. However, during the Romantic era, reviews of Spanish literature and other foreign works began to appear more prominently in British periodical publications, such as Richard Phillip’s The Monthly Magazine. Periodicals such as these aimed to show the progression of the liberal arts in different countries and published a list of Spanish works and authors. Over time, the section increased, showing the growing interest in the field. The press gave a positive review of Spain and praised its literary progress. Robert Southey, a leading Hispanist of the Romantic period, was a notable contributor to these periodicals. He translated many Spanish Romance texts, wrote a History of the Peninsular War, and was responsible for the publication of a new section on Spanish poetry in The Monthly Magazine.

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The Contact Zones of Disease, 16 October 2020 – Seminar write-up

This post is part of our Research Initiation Scheme for 2020-2021.

On Friday 16th October 2020, Dr Steven Wilson (French, QUB) gave a talk on his research on ‘The Contact Zones of Disease: Sites of Infection and Contagion in the Nineteenth-Century French Syphilis Narrative’. This seminar talk was the first of the Semester 1 Modern Languages Core Disciplinary Research Group series. The talk centred on how we use the language of infection, infestation and warfare to talk about the diseased body, the concept of borders in our understanding of disease, and the representations of syphilis in 19th century French literature.

Credit: A shield to protect against syphilis represented as a skull. Lithograph, 1924/1930. Credit: Wellcome Collection. Attribution 4.0 International (CC BY 4.0)

I found the introduction of the talk to be particularly interesting as, using an example from Donald Trump, Dr Wilson described how the American President uses the language of infestation to talk about immigrants, saying that they ‘infest’ the country. This language would normally be used to describe a poisonous insect or animal, but Trump uses it to express his fear of immigrants crossing the border and, more importantly, to mark them as a threat to public health. Derogatory language like this is unpleasant to hear, but it is not a new concept. For centuries, we have been using the language of infectious diseases to describe the borders and boundaries that mediate human contact. Even now, amidst the coronavirus pandemic, travellers crossing borders must quarantine to prevent the spread of the disease, and positive cases are forced to isolate. All of this causes us to regard the diseased body as the dangerous body, something that must be contained in order to protect the lives of others, and a border as something that keeps us safe. Moreover, Western societies are obsessed with the image of disease-carrying immigrants and feel threatened by the idea of the ‘contact zone’, or the spaces where cultures meet. The deadliest pandemic of the 20th century was called the Spanish influenza as the first cases were diagnosed in Spain, and even today, we have the ‘Chinese virus’, as labelled by Trump. These examples highlight how the language of borders is deeply ingrained in how diseases are represented and understood.

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