Monthly Archives: June 2021

Postgraduate student interviews: Aislin Kearney (PhD)

This post is part of our Research Initiation Scheme for 2020-2021.

On the 20th of April I interviewed recent Queen’s PhD graduate Aislin Kearney to discuss her research. In February 2021, Aislin successfully passed her viva for a PhD in Spanish with a thesis entitled ‘’The Ambition of Melancholy: The Aesthetics of Heroism in the Lyric poetry of Juan Boscán and Fernando de Herrera’.

Aislin began her studies at Queen’s as a drama student, where she started a beginner’s course in Spanish. She enjoyed the course so much that she decided to change pathways, majoring in Spanish with a minor in Drama. In her final year she described how she was (begrudgingly) enrolled on a Renaissance module. Unexpectedly, however, the module caught her interest, and when she went on to an MA in Spanish at Queen’s, she devoted her Master’s dissertation, and later PhD, to further examining the poetry of the period.

Portada de Las obras de Boscán y algunas de Garcilaso de la Vega repartidas en cuatro libros, Barcelona, Carlos Amorós, 1543.

Her Master’s dissertation focused on the work of Spanish poet Juan Boscán, a lesser-known contemporary of Garcilaso de la Vega. Central to her study of Boscán’s poetry was the emerging idea of melancholic heroism, which Aislin explained was particularly interesting when considering the historical context in which the poetry was being written. During a period in which the country was rising to become somewhat of a superpower, much of its most prominent literature was characterized by lovesick, introspective, and melancholic figures.

Aislin described her PhD as a natural progression from her Master’s research, in which she further explored this melancholic aesthetic, and Spain’s attachment to it, by examining not only the work of Boscán but also his successor, Fernando de Herrera. Aislin explained that her choice in poets was influenced by a number of factors. First, the consecutive periods in which these poets were writing allowed for a better understanding of the historical trajectory of Spanish literature during this time. Second, these two lesser-known poets’ peripheral positions in relation to the extensively studied Garcilaso de le Vega allowed for a more expansive understanding of Spanish poetry of the period. Finally, the fact that both of these poets produced theoretical works alongside poetry, where they discussed their methods and approaches, made them interesting subjects on which to focus research.

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Will the Real Margery Kempe Please Stand Up/DM Me? Curating (Medieval) Identities Online, 23 April 2021 – Seminar write-up

This post is part of our Research Initiation Scheme for 2020-2021.

What does the autobiography of a medieval mystic and Twitter have in common? On the 23rd of April, Dr Alicia Spencer-Hall gave a fascinating presentation during which she suggested that Margery Kempe, a 15th century English Christian mystic and author of the first autobiography written in the English language, would be big on Twitter were she alive today.

However, it appears that being alive is not a criterion for having Twitter account, as Dr Spencer-Hall analysed 4 of the 15 Margery Kempe Twitter accounts which have sprung up to speak for the mystic in 2021. These Twitter accounts tell Margery’s story in different ways. Dr Spencer-Hall used her presentation to examine these accounts and how they are used to reinterpret and reclaim the life of a woman who lived nearly 600 years ago.

Providing some context about the mystic, Dr Spencer-Hall explained that Margery Kempe relied on a number of scribes to write her book. Because of this, the book, which presents Margery in an overwhelmingly positive light and uses the 3rd person to address her, has raised questions about its authenticity. Dr Spencer-Hall suggests there are similarities between Margery’s autobiography and Twitter today: both present highly edited and at times inauthentic reflections of self.

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Postgraduate student interviews: Jordan McCullough (PhD)

This post is part of our Research Initiation Scheme for 2020-2021.

Interview with Jordan McCullough, second year PhD student at QUB.

Jordan McCullough, personal archive

So, Jordan, what has been your university trajectory so far?

I studied French and Spanish at Queen’s, then continued on to do an MRes, with a dissertation examining end of life care in France, from the perspective of the patient and their family. While completing this, I felt like I would like to take things further and see where it might take me. I applied for PhD funding whilst I was still doing my MRes, got funded by Northern Bridge and here I am now, in the second year of my PhD!

What is the topic of your current research project?

My project looks at parental grief narratives, that is, writing by parents who have lost children for a variety of different causes, such as terminal illness, suicide, violent death, terrorist attacks or even accidental death. There are a wide range of causes of death but what I’m trying to do with that is to find out, first of all, what makes the parents write; what do they get out of it themselves, and what do they give to their children through this idea of continuing bonds and ongoing legacy, and secondly, what drives these parents to go beyond writing for themselves and their child and publish their text, and what changes when there’s a readership and an audience involved.

What has been the most interesting part of your research so far?

By far, the most interesting aspect of my research journey has been the short placement I undertook with the regional paediatric palliative care team in Brittany. It was wonderful to see how my research might have some sort of positive impact in the everyday lives of parents grieving the loss of their child. I learnt a lot from the staff at the unit and I think I was able to give something back in return. All being well, I hope to get back across to France next year to spend some more time with the team.

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Postgraduate student interviews: Evie Domingue (MRes)

This post is part of our Research Initiation Scheme for 2020-2021.

Evie Domingue is an MRes in Arts and Humanities candidate, whose research focuses on representations of Afro-Brazilian women in the media and the ways they represent themselves in their own media productions. In this interview, I speak with Evie about, amongst other things, her reasons for pursuing research on this topic, the strong sense of urgency it holds in Brazil’s current socio-political context, and her advice for those thinking of doing an MRes.

Prior to postgraduate study, Evie completed her BA Hons in Spanish and Portuguese at Queen’s University Belfast. She cites the ‘Brazilian Digital Culture’ module that she completed in her final year, taught by her MRes supervisor Dr Tori Holmes, as having sparked her interests for both media and Brazilian studies. It also gave her the opportunity to incorporate her passion for race studies into the aforementioned topics. She notes that the independent study she completed as part of this module gave her insight as to what was to come for the MRes.

Evie Domingue, personal archive

In terms of methodology, Evie is analysing various forms of media – a YouTube channel, music, a film, a streaming platform and a telenovela (serial drama) – and picking up on the most prominent themes within this material. She notes that whilst her project is still developing and evolving, so far she has found recurring topics in her research material to be issues of identity, black aesthetic standards in the realm of self-representation, and black female protagonism.

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Lexical Innovation and Terminological Advice in Breton and French: The Role of Online Spaces, 12 March 2021 – Seminar write-up

This post is part of our Research Initiation Scheme for 2020-2021.

Merryn Davies-Deacon, personal archive

On Friday the 12th of March 2021, I attended Dr Merryn Davies-Deacon’s talk on Lexical Innovation and Terminological Advice in Breton and French: The Role of Online Spaces. I was intrigued by this presentation, because as part of my level 2 studies, I completed an assignment on the regional language of Breton as a token of identity. Furthermore, after having spent my year abroad in Spain, I became familiar with attitudes towards Spanish regional languages, and so, I was eager to find out more about the situation with regional languages in France.

Merryn’s talk certainly satisfied my desire for more information on the Breton language. Firstly, she broke down the complex title so that those who are not experts on the topic (like myself) were able to grasp it. From my understanding, lexical innovation involves words and phrases that Breton speakers coin from other languages, such as English and French, and adopt as part of their own dialogue. Terminological advice, however, involves the influences and guidance of official sources and authorities. As the focus of Merryn’s research was on online spaces, she delved into what the internet and social media means for the evolution of the Breton language. She raised the possibility of the internet being a leveling space, as it is a tool that all speakers can use to give their input. However, she juxtaposed this theory with the suggestion that given the Internet is subject to the control of authorities who own it, in fact, it replicates hierarchies instead of being an equal space.

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Postgraduate student interviews: Ciaran Harty (PhD)

This post is part of our Research Initiation Scheme for 2020-2021.

Ciaran Harty, personal archive

On Wednesday 14th April 2021, I had the pleasure of interviewing Queen’s PhD student in Spanish, Ciaran Harty. Ciaran completed his undergraduate degree in French and Spanish at QUB and then proceeded to do an MRes on the Representation of Madrid in the Artículos de Costumbre by the 19th century Spanish writer, Mariano José de Larra. Whilst undertaking a PhD was not initially on the cards, Ciaran discovered a true passion for this particular area of studies, and so, in 2018 he began his PhD with the QUB Spanish department. The current working title of his thesis is: Precursors of Costumbrismo: The creation of a genre at the end of Spanish Enlightenment.

Ciaran described the Masters as a “stepping-stone” to the PhD, because although there are many similarities, the PhD unsurprisingly involves considerably more reading, researching and writing. I was particularly interested in finding out how his writing style had changed over time. Many undergraduate students believe the common misconception that in order to be successful in your degree, you must produce work with a high-brow, overly-academic style of writing. He assured me that while feeling this pressure was normal, and indeed something that he had experienced too, it was ultimately unnecessary. The most important thing is finding your own writing style and this is something that the PhD has allowed him to do. Through extensive reading, constructive feedback from peers and supervisors and consistently practising writing, he found that he was able to develop his own style and allow it to flow more naturally. This made the process more enjoyable for him and the content more digestible for his readers.  

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