Tag Archives: resistance

Postgraduate student interviews: Zoe Coyle (MRes)

This post is part of our Research Initiation Scheme for 2024-2025

The MRes project

Zoe’s research project is focusing on the ways in which violent resistance to France has been represented, and repressed, in Martinique and Guadeloupe since they became French départements (rather than colonies) in 1946. She detailed how although these islands are often seen as dependent on France, or even passive, there has been a long history of resistance. Her project will use literature to explore how this resistant relationship with La Métropole [‘mainland’ France] has been represented at key moments of public uprising. This project will challenge the assumption and idea that these islands are simply reliant on France. Zoe will also consider the two islands in a wider context of protest across the postcolonial francophone world, as seen most recently in New Caledonia and Mayotte.

Academic background

Zoe studied French, Spanish and History at A Level, and suggested that it was her interest in history that first sparked her interest into départementalisation [the process by which certain French colonies were made into official departments of France in 1946] and the effects that residual colonialism has left on the outre-mer territories [French overseas territories]. After A Level, Zoe went on to study French and Spanish at QUB at undergraduate level.

Genesis of the project

As Zoe mentioned before, her interest in history and historical events greatly influenced her decision to research this topic. At university level, there were certain modules that also piqued her interest into this chosen pathway. In final year, she first got a taste for independent research after taking the ‘2666 by Roberto Bolaño’ module in Spanish [taught by Professor Sarah Bowskill]. This module gave her the opportunity to explore her own avenues of research and develop her own areas of interest. Similarly, it gave her the tools to navigate independent research – tools which have served her well over her undergraduate degree and into her postgraduate studies.

The module that steered her towards her interest in postcolonial studies was the final year ‘Caribbean Cultures’ module with Professor Maeve McCusker. It was Zoe’s first time studying the topic during this module, and she described how it was fundamental in her decision about her research topic. She discussed how this module demonstrated the importance and relevance of the breadth of francophone cultures, and how there is a much richer tapestry of la francophonie [the global community of French-speaking people and countries] than just France.

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The Suicide Archive: Reading Resistance in the Wake of French Empire, 28 February 2025 – Seminar write-up

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This post is part of our Research Initiation Scheme for 2024-2025.

I recently enjoyed attending a seminar led by Dr Doyle Calhoun, University Assistant Professor of Francophone Postcolonial Studies at the University of Cambridge. This seminar sought to explore a long-overlooked consequence of the violence of French colonialism: suicide. Often uttered in whispered tones, suicide to this day remains a taboo subject, the elephant in the room that people wish to avoid discussing.

However, through his work Dr Calhoun has shone a light on the historical occurrence of suicide as an act of resistance to colonial violence, with specific reference to the time of slavery in the French-speaking Caribbean. Dr Calhoun discussed colonial records as well as contemporary African and Afro-Caribbean media and Senegalese oral history in order to reconstruct a history of the experiences of suicide among enslaved populations and their ancestors. The genesis of Dr Calhoun’s work lies in his finding that suicide was either obscured or omitted entirely in French colonial documents. Given that suicide had not previously been considered in the context of colonial violence, Dr Calhoun’s work offers a groundbreaking historical analysis, demonstrating the sombre paradoxical idea that accounts of suicide offer a fleeting glimpse into the lives of enslaved people.

Dr Calhoun began by unpacking the notion of a ‘suicide archive’; the function it performs and the questions that arise as a result. The suicide archive reflects a scholarly desire to recover stories lost or untold. However, what authority do modern scholars possess to ‘rewrite’ such a contentious part of history? How can scholars elevate the identities of those enslaved peoples lost to suicide whilst maintaining a respectful and reverent attitude regarding their humanity? Is the very act of analysing and elevating these lost identities disrespectful in itself? What if these people did not want to be remembered? Whilst the intention to bring to light these historic injustices is noble, Dr Calhoun crucially emphasised that this work must be carried out in a respectful and delicate manner.

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Postgraduate student interviews: Isabella Gammon-McConville (MRes)

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This post is part of our Research Initiation Scheme for 2023-2024.

Can you tell me a bit about your academic experience at Queen’s so far?

I started at Queen’s back in 2018 and I did my undergraduate [degree] in Spanish. I did my [first] two years at Queen’s and then I went abroad to Spain, where I worked as a language assistant. That was during Covid, so it was a bit of a different experience, but I was in the south of Spain there. I came back and did my final year, then went on and did the MRes, also looking at Spanish.

Isabella Gammon-McConville, personal archive

What topic did you choose for your MRes and what drew you to it?

I handed in my dissertation back in September [2023] and the title was ‘Language Acts and World (Un)Making: The Poetics of Power and Resistance in the Drama of Ana Caro and Leonor de la Cueva’. I was looking at Golden Age drama and specifically the comedia. I’d done a bit of that in my undergraduate work, I’d looked at a few different areas but I hadn’t seen a lot of work done by female dramatists. I was interested in how they wrote resistance into a lot of their work, because they followed the societal norms and expectations of writing literature in order to be able to write in the period, and they also managed to get in things that made their work different to the canonical work of the period.

What was the highlight of your post-grad experience?

That’s a difficult one. Honestly, probably handing my dissertation in! No, making my work and research fit within the field and seeing links between the research done by everyone else. The collaborative idea of research is that you get to do something that’s a bit different, but you get to draw on work that has already been written by other people and make your own space within the field. For me, this was developed throughout the MRes: the research methods classes which introduced various lenses to look at Caro and Cueva’s work, the discussions with my supervisor, and my own research into publications on the authors. Coming to conclusions using different research methods was really interesting. I guess it’s [about] coming up with something new, isn’t it?

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