Tag Archives: PhD students

Postgraduate student interviews: Claire Whyte (PhD)

This post is part of our Research Initiation Scheme for 2023-2024.

What has your academic journey looked like so far? What did you study during your undergraduate and previous postgraduate experiences?

I undertook my PhD in Spanish as a mature student. For my undergraduate degree I did Languages and Latin American Studies [at the University of Essex]. After university I didn’t go straight on to postgraduate study. I travelled after my degree and I lived abroad for several years, teaching in a number of countries (South Korea, New Zealand). In 2016, when I was made redundant from the language program I was teaching on, I applied for a Master’s in Modern Languages at Queen’s. I then had a year between finishing my master’s and applying for the PhD. I enjoyed the return to studying and university life. So, I put a proposal together, applied for the PhD, and got accepted, which I hadn’t really expected! I just finished my PhD in November [2023] – there were some interruptions to my studies, especially because of the pandemic, so my journey was a bit more protracted.

Would you be able to give a brief explanation of your PhD research?

I will try! My broad area is Mexican Studies; in my thesis, “Frida Kahlo and Astrid Hadad: Performing Woman and Nation in 20^th Century Mexico”, I look at artist Frida Kahlo, and cabaret político [political cabaret] performer Astrid Hadad. I examine how they perform, resist and contest the hegemonic constructs of Mexican womanhood. So, I look at Kahlo’s self-portraits against the background of cultural nationalism in post-revolutionary Mexico (the period following the Mexican revolution of 1910-1920). I contextualise her work against the art history and discourse of the period. In relation to Astrid Hadad, I examine her work against the backdrop of NAFTA, the North American Free Trade Agreement, which was signed towards the end of the 20th century. I look at how she uses her cabaret performances as political commentary and how she performs womanhood in that context.

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Postgraduate student interviews: Lauren McShane (PhD)

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This post is part of our Research Initiation Scheme for 2022-2023.

What has your academic trajectory been so far?

I really enjoyed languages at school. I studied Spanish at GCSE and took French just before GCSE, and I decided to continue them. I did an undergraduate degree in French and Spanish, and decided that I hadn’t had enough of French. I really wanted to keep going so I decided to continue on to MRes because I wanted to work in a research-led, more heavily dissertation-weighted kind of course, and I didn’t think the taught programs, like the MAs, were as good a fit. I did an MRes on medical humanities and French culture, even though I had never studied medical humanities before. The MRes is a good space to discover something completely new. I really wanted to keep this going, so I decided to apply for a PhD (which you absolutely do not have to do if you get an MRes!). The MRes sets you up well for it; you get the chance to explore other areas of the School and get a chance to experiment with some more independent work.

What are you currently working on, and why did you choose the topic?

I’m still within the medical humanities, I really enjoy it. While I was doing my MRes, I got really interested in broader networks of people. So, for example, I was looking at one person suffering with alcoholism, but I became interested in what the experience for other people around them might be like and what their lived experience of care is like. I decided to put together a PhD project with my supervisor on narratives of family alcoholism. I’m looking at people who have grown up with an alcoholic mum or dad and how they write about their lived experience and have come to understand health care and their parent’s experience. For me, it really grew out of my MRes project. I will say that that the project did change post-proposal, so there’s nothing wrong with you or the project if it has to change. The research evolves and grows with you.

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Postgraduate Research in Progress Showcase, Friday 24 March 2023 – Seminar Write-up

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This post is part of our Research Initiation Scheme for 2022-2023.

On 24 March 2023, the Queen’s University Belfast Modern Languages Core Disciplinary Research Group hosted the Postgraduate Research in Progress session as part of their ongoing seminar series. The seminar was chaired by PhD candidate Ciara Gorman, with fellow PhD researchers Sijie Mou (Linguistics), Rebecca Gosling (French), and Laura Kennedy (French) presenting their work. The main theme of the seminar was addressing the challenges that arise when trying to complete a piece of work as substantial as a doctoral thesis.

Laura, Rebecca, and Sijie at one of their preparatory meetings for the seminar

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Modern Languages CDRG Research Showcase 2021: PhD Flashtalks

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This post is part of our Research Initiation Scheme for 2020-2021.

On the 25^th of June, six candidates from the current PhD cohort at Queen’s University Belfast shared a session entitled ‘PhD Flashtalks’ during the Modern Languages CDRG Research Showcase 2021. Dr Ricki O’Rawe participated as the chair.

Margaret Cunningham, who is a second year PhD candidate in French, began the session with a synopsis of her thesis project, which carries the working title ‘Narratives of Disaster in the French Caribbean’. Margaret believes that in the Caribbean context, the French departments of Guadeloupe and Martinique have been largely overlooked in studies of catastrophe. Thus, Margaret has made this silence the focus of her thesis, examining disaster narratives against the backdrop of a colonial and specifically slave past.

Next, Annie Jowett, a first-year Ph.D. student in Irish, discussed her thesis on ‘The Irish Dialect of South Leinster: The Onomastic Evidence’. Through her research, Annie aspires to address and contribute to the gap in linguistic knowledge about the Irish language and discover where the Irish spoken in South Leinster fits into the dialect continuum of the Irish language in Ireland. The Irish language has been obsolete in South Leinster since the turn of the twentieth century. In addition, the linguistic history of the region is complex in terms of language contact; Annie gave the example of the survival of an Old English dialect named Yola which survived in the South-East of the province until the late nineteenth century. Annie is employing placenames in the region as her primary source of dialect evidence, intending to focus on the distribution of stress patterning in local pronunciations.

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Postgraduate student interviews: Aislin Kearney (PhD)

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This post is part of our Research Initiation Scheme for 2020-2021.

On the 20^th of April I interviewed recent Queen’s PhD graduate Aislin Kearney to discuss her research. In February 2021, Aislin successfully passed her viva for a PhD in Spanish with a thesis entitled ‘’The Ambition of Melancholy: The Aesthetics of Heroism in the Lyric poetry of Juan Boscán and Fernando de Herrera’.

Aislin began her studies at Queen’s as a drama student, where she started a beginner’s course in Spanish. She enjoyed the course so much that she decided to change pathways, majoring in Spanish with a minor in Drama. In her final year she described how she was (begrudgingly) enrolled on a Renaissance module. Unexpectedly, however, the module caught her interest, and when she went on to an MA in Spanish at Queen’s, she devoted her Master’s dissertation, and later PhD, to further examining the poetry of the period.

Portada de *Las obras de Boscán y algunas de Garcilaso de la Vega repartidas en cuatro libros*, Barcelona, Carlos Amorós, 1543.

Her Master’s dissertation focused on the work of Spanish poet Juan Boscán, a lesser-known contemporary of Garcilaso de la Vega. Central to her study of Boscán’s poetry was the emerging idea of melancholic heroism, which Aislin explained was particularly interesting when considering the historical context in which the poetry was being written. During a period in which the country was rising to become somewhat of a superpower, much of its most prominent literature was characterized by lovesick, introspective, and melancholic figures.

Aislin described her PhD as a natural progression from her Master’s research, in which she further explored this melancholic aesthetic, and Spain’s attachment to it, by examining not only the work of Boscán but also his successor, Fernando de Herrera. Aislin explained that her choice in poets was influenced by a number of factors. First, the consecutive periods in which these poets were writing allowed for a better understanding of the historical trajectory of Spanish literature during this time. Second, these two lesser-known poets’ peripheral positions in relation to the extensively studied Garcilaso de le Vega allowed for a more expansive understanding of Spanish poetry of the period. Finally, the fact that both of these poets produced theoretical works alongside poetry, where they discussed their methods and approaches, made them interesting subjects on which to focus research.

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Postgraduate student interviews: Jordan McCullough (PhD)

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This post is part of our Research Initiation Scheme for 2020-2021.

Interview with Jordan McCullough, second year PhD student at QUB.

So, Jordan, what has been your university trajectory so far?

I studied French and Spanish at Queen’s, then continued on to do an MRes, with a dissertation examining end of life care in France, from the perspective of the patient and their family. While completing this, I felt like I would like to take things further and see where it might take me. I applied for PhD funding whilst I was still doing my MRes, got funded by Northern Bridge and here I am now, in the second year of my PhD!

What is the topic of your current research project?

My project looks at parental grief narratives, that is, writing by parents who have lost children for a variety of different causes, such as terminal illness, suicide, violent death, terrorist attacks or even accidental death. There are a wide range of causes of death but what I’m trying to do with that is to find out, first of all, what makes the parents write; what do they get out of it themselves, and what do they give to their children through this idea of continuing bonds and ongoing legacy, and secondly, what drives these parents to go beyond writing for themselves and their child and publish their text, and what changes when there’s a readership and an audience involved.

What has been the most interesting part of your research so far?

By far, the most interesting aspect of my research journey has been the short placement I undertook with the regional paediatric palliative care team in Brittany. It was wonderful to see how my research might have some sort of positive impact in the everyday lives of parents grieving the loss of their child. I learnt a lot from the staff at the unit and I think I was able to give something back in return. All being well, I hope to get back across to France next year to spend some more time with the team.

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Postgraduate student interviews: Ciaran Harty (PhD)

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This post is part of our Research Initiation Scheme for 2020-2021.

On Wednesday 14^th April 2021, I had the pleasure of interviewing Queen’s PhD student in Spanish, Ciaran Harty. Ciaran completed his undergraduate degree in French and Spanish at QUB and then proceeded to do an MRes on the Representation of Madrid in the Artículos de Costumbre by the 19^th century Spanish writer, Mariano José de Larra. Whilst undertaking a PhD was not initially on the cards, Ciaran discovered a true passion for this particular area of studies, and so, in 2018 he began his PhD with the QUB Spanish department. The current working title of his thesis is: Precursors of Costumbrismo: The creation of a genre at the end of Spanish Enlightenment.

Ciaran described the Masters as a “stepping-stone” to the PhD, because although there are many similarities, the PhD unsurprisingly involves considerably more reading, researching and writing. I was particularly interested in finding out how his writing style had changed over time. Many undergraduate students believe the common misconception that in order to be successful in your degree, you must produce work with a high-brow, overly-academic style of writing. He assured me that while feeling this pressure was normal, and indeed something that he had experienced too, it was ultimately unnecessary. The most important thing is finding your own writing style and this is something that the PhD has allowed him to do. Through extensive reading, constructive feedback from peers and supervisors and consistently practising writing, he found that he was able to develop his own style and allow it to flow more naturally. This made the process more enjoyable for him and the content more digestible for his readers.

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Postgraduate student interviews: Laura Kennedy (PhD)

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This post is part of our Research Initiation Scheme for 2020-2021.

From Paris to London to Queen’s, we caught up with Laura Kennedy to learn about her global PhD French project and her advice for undergraduates considering postgraduate study.

Q. What has your journey to PhD been like?

It’s been enjoyable, but unexpected. My B.A was in French studies at the University of London Institute in Paris. In my final year, I took a French colonialism class, and became really interested, particularly in Algeria. My interests have always been in literature and postcolonial literature was the perfect overlap. I did my final year dissertation on Kamel Daoud and his book Meursault, contre-enquête. The next step for me was to get a theoretical base of postcolonial scholarship. Once I graduated, I worked for a year in Paris and researched Masters programs. I found SOAS University of London. They did a Masters in Comparative Literature of Africa and Asia which I completed in 2020. SOAS was a watershed moment for me academically; I could focus in on my interests which I came to realize were language politics and postcolonial novels. Once I realized this, I put PhD proposals together – I wasn’t going to stop after the Masters. I felt like I would be an outsider coming to Queen’s at PhD. I’m happy to be mistaken on that. Within weeks, I felt welcome and part of the community.

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