Tag Archives: open access

Resources for Thomas Moore in the Digital Age: Music, Illustrations, and Stories

On Monday 28 May 2018 (the day of Moore’s birth in 1779), Sarah McCleave will introduce the resources of project ERIN in a public talk, “Thomas Moore in the digital age: music, illustrations, stories”, as part of the ‘Meet the Music Series’ for  Queen’s University Belfast. This will take place at 19:00 in the Old McMordie Hall, Music (University Square, Belfast). Sound files, image banks, and the catalogue will be introduced to those present. (The catalogue now has 500 of a projected circa 800 publications entered into it.) ALL are welcome and no tickets are required.

Peri with dead lovers.Jones and Warren

Peri with dead lovers.Jones and Warren

Image courtesy of Special Collections & Archives, Queen’s University Belfast

Readers of the blog are reminded that the image banks (four collections) and associated narrative online exhibitions are already available  (http://omeka.qub.ac.uk/). NEWLY available are the texts and powerpoints from four presentations undertaken by Triona O’Hanlon and Sarah McCleave during May-June 2017: see the Queen’s University Belfast open access institutional repository, https://pure.qub.ac.uk/portal/en/persons/sarah-mccleave [‘Publications’ 2017].

Future posts of the blog in 2018 will make available some  recordings of the Irish Melodies featuring young singers from the BMUS at Queen’s; we will also offer features on particular pieces which can be traced across project ERIN’s resources.

 

The future of Project ERIN

ERIN completes its funded stage today, 31 August 2017. We are grateful to the Horizon 2020 Framework Programme, co-funded by the European Union, for the opportunity to work on such interesting material, and to make it available to the public.

The website for project ERIN will be launched during autumn 2017. It will serve as an ‘open access’ gateway to the following resources, some of which are already available through sites hosted by Queen’s University Belfast:

– four collections published on the OMEKA platform

– four exhibits published on the OMEKA platform

– a collection of forty-one sound files, taken from two concerts to mark the bicentenary of Lalla Rookh as well as a selection of Irish Melodies

– a catalogue of over 800 published sources of Moore’s music, drawn from no fewer than eight European repositories

– the project blog, ‘Thomas Moore in Europe’

The blog will continue to appear at least once a month to serve these functions:

1. To advise our readers regarding the publication of outputs such as the radio documentary on Lalla Rookh
2. To make available certain outputs, such as our lecture for the SMI Plenary conference in June 2017.
3. To report on progress regarding on-going outputs such as the catalogue or a planned anthology of essays, “Thomas Moore and the Global Marketplace”
4. To highlight particular items in the collections or the catalogue

Image courtesy of Special Collections & Archives, Queen’s University Belfast

Irish Melodies [music and illustrations].London London, [1880].Frontispiece

Launching ERIN’S Collections and Exhibitions

We are pleased to launch four collections and four exhibitions on the OMEKA platform, as hosted by Special Collections & Archives, Queen’s University Belfast at the following link: http://omeka.qub.ac.uk

The collections, comprising a total of over 200 items largely drawn from the Moore Collection at Queen’s, are as follows:

Music to Moore’s Irish Melodies

Moore’s Irish Melodies: Texts and Illustrations
Moore’s National Airs in Europe
Lalla Rookh in 19th-century Europe

The exhibits are as follows:
Music to Moore’s Irish Melodies in Dublin and London
Moore’s Irish Melodies in Europe
The dissemination of Moore’s National Airs in Europe
The tales and travels of Lalla Rookh

 

Image courtesy of Special Collections & Archives, Queen’s University Belfast

Lalla Rookh

Lalla Rookh drawn by Kenny Meadows, engraved by J. Hollis