Upcoming multicultural films at QFT

Happy October — and hello, November!

We’re delighted to share a selection of upcoming films in different languages to be screened or previewed at Queen’s Film Theatre.

Queen’s students and staff, their families, and members of the public are all very welcome to join us on a cinematic journey through different languages and cultures. Come along, discover new stories, and experience the richness of cultural diversity through film!

Arabic

Cotton Queen (Sun 18 & Mon 19 Oct)
In a cotton-farming village in Sudan, teenage Nafisa is raised on heroic tales of battling British colonisers told by her grandmother. But when a young businessman arrives with a new development plan and genetically engineered cotton, Nafisa becomes the centre of a power play to determine the future of the village. 

Yesterday the Eye Didn’t Sleep (Sun 1 Nov)
In a Bedouin village on the Lebanon–Syria border, a burned truck sets off a hunt for Gamra, blamed for burning her lover’s car. As her cousin searches for her, he accidentally kills a man from a rival clan, sparking a blood feud. 

French

Case 137 (From Fri 16 Oct)
Set against the backdrop of mass protests in Paris, Case 137 follows Stéphanie (Léa Drucker in a César winning performance), a meticulous internal affairs investigator assigned to investigate a teenager critically injured by police fire.

A Man of His Time (Preview in Belfast Film Festival Mon 2 Nov)
Swann Arlaud (Anatomy of A Fall) gives an effectively inexplicit performance as a man making his way up the career ladder of the Vichy government, the regime in occupied France that collaborated with the Nazis during World War II. This has been receiving rave reviews in France.

Coward (Preview in Belfast Film Festival Wed 4 Nov)
Pierre, a young Belgian soldier, wants to prove himself on the battlefield during the First World War. Behind the frontlines, he meets Francis, who is asked to find a way to boost morale. Belgian director Lukas Dhont’s poignant third feature celebrates a love that blooms amid the hardships and horrors of the First World War.

All of a Sudden (Preview in Belfast Film Festival Sat 7 Nov)
French nursing home director Marie-Lou faces resistance from staff and shareholders after introducing a care method based on dignity. When she meets Mari, a Japanese theatre director fighting cancer, the two share a bond that will prove transformative. Ryûsuke Hamaguchi (Drive My Car) brings Virginie Efira and Tao Okamoto together in a poignant drama about friendship, illness, art, and the responsibilities of care.

German

Fatherland (Preview in LFF Fri 16 Oct, General release from Fri 23 Oct)
In 1949, German writer Thomas Mann and his daughter Erika embark on a road trip across a Germany in ruins, from US-dominated Frankfurt to Soviet-controlled Weimar.

Everytime
(Preview in Belfast Film Festival Sat 7 Nov)
The upcoming Austrian director with a singular vision, Sandra Wollner, returns with her latest film, a story of a family tragedy, a trip to Tenerife in the hope of finding existential answers, and one woman’s relationship with her daughters and a teenaged family friend.

Rose
(Preview in Belfast Film Festival Sat 7 Nov)
Sandra Hüller gives an award-winning performance as a 17th-century female soldier who disguises herself as a man to gain acceptance in a brutal farming community.


Korean

Hope (Tue 20 – Thu 22 Oct)
A rural Korean village is under attack from a mysterious creature laying waste to buildings, vehicles and anyone unfortunate enough to cross its path. Reinforcements have been diverted to battle wildfires and all communication has been cut off. Now it is down to a band of hunters, hapless police and terrified locals to identify the beast and bring it down whilst finding themselves hunted instead.

Possible Love (From Fri 23 Oct)
The lives of two married couples from different social strata collide in Lee Chang-dong’s (Burning) brilliantly unfolding narrative about economic precarity, in which a laid-off factory worker and his wife become the camera subjects for a documentary filmmaker. 


Spanish


La Bola Negra
(From Fri 20 Nov)
Spain, 1932. A young man awaits to see if he has secured membership of the local casino. In 1937, a young nationalist soldier guards a republican prisoner. Jump to 2017 and an unexpected document is inherited by an historian from his grandfather. A genre-defying queer epic, rooted in the legacy of beloved writer Federico García Lorca.

Russian

Minotaur (Preview in Belfast Film Festival Tue 3 Nov)
Andrey Zvyagintsev transposes Claude Chabrol’s La Femme infidèle to contemporary Russia, delivering a magnificent political allegory that dissects the mechanics of ego, violence and corruption.

International Day for Tolerance

Did you know that Wednesday 16th November is the International Day for Tolerance? What does tolerance mean for you? Here’s what the UNESCO’s Declaration of Principles on Tolerance in 1995 states:

“Tolerance is respect, acceptance and appreciation of the rich diversity of our world’s cultures, our forms of expression and ways of being human.”

UNESCO

Within our Queen’s community, we are all so fortunate to be a part of such a diverse campus, with students and staff members coming from over 80 countries and regions, representing a range of linguistic and cultural backgrounds. We would like to invite you to join us in appreciating the rich diversity of our multicultural campus, and to show our shared respect for inclusivity today and every day.

To learn more about the activities for the Day, visit UNESCO’s International Day for Tolerance.

Tolerance towards different foods … and cultures

One of the most direct ways of experiencing cultural differences is through tasting food. But to what extent can we have tolerance towards food from different cultures? Our QUB student, MA Xiaoxiang (马小翔), who obtained an MA degree in Arts Management (2019) and is completing his second MA degree in Film Study (expected 2022), with School of Arts, English and Languages, has his own thoughts on cultural diversity and tolerance through his recent documentary, as part of the BBC 100 – Make Film History Project.

‘Different foods, countless flavours, diverse cultures, unique connotations. I try to use the traditional Chinese dish called Phoenix Feet [essentially, finely cooked chicken feet] as a clue to explain the relationship between food and culture. I also hope to use food as a metaphor for culture and interpret cultural exchanges in my eyes from different perspectives.’

— MA Xiaoxiang

Xiaoxiang (right) facilitating the Chinese calligraphy stand during the CNY (Year of the Pig) at Queen’s

About the film ‘Taste of Culture’

The original proposal for making this ‘Taste of Culture’ documentary is to weave a line between Chinese and Western cultures with some interesting elements. This is the reason why I chose Chinese food as the trigger. In the depths of its delicious flavour, there are many aspects to underline the cooking method – history, culture, regional variations, and other factors to help decode such a culture of practice, all of which is like a variety of spices and ingredients used in cooking, making the process of cultural interpretation more flavourful and charming and being more conducive to intercultural exchange.

As an international student, I have studied and lived in Belfast for a few years, with great interest in discovering other cultures. At the same time, being away from my home country, my culture of origin, also has given me a great chance of observing the traditional Chinese culture that I have a great passion for. This way of distancing myself from my native culture has made me think of the verses of a famous poem written by SU Shi (苏轼), one of the greatest poets to have lived in the Song dynasty over a thousand years ago:

“不识庐山真面目,只缘身在此山中”
[Of Mountain Lu we cannot make out the true face, For we are lost in the heart of the very place. — Translated by XU Yuanchong (许渊冲)]

It seems that I also live in a mountain, but I can observe the mountain from different angles. Therefore, when embarking on making this film, I hoped to discuss cultural issues from a relatively objective and diversified perspective.

The making of the film

I felt excited when I saw the email forwarded by our Department of Film. I really felt excited because this was such a precious chance for new filmmakers. Without much hesitation I decided to go for it, and attended four workshops in total, including online and offline workshops, in order to get a better understanding of the project and to find inspiration through discussions with the organisers, my supervisors and peers. As an international student, I felt that I had more challenges in terms of language and cultural barriers, despite the fact that I have a master’s degree with Queen’s already. But I did gather my strength and eventually gain very valuable experience through attending these meetings. The organisers and other participants also gave me great encouragement and help. In fact, some of the anecdotes and questions that came out of the discussions were used in the documentary. This inside-out and outside-in methodology has become the guidance for making this film.

I was able to finish the scriptwriting and postediting of the documentary myself, thanks to my friend HU Chenrui (胡宸瑞), an undergraduate student also from our Film Department, who provided me with great assistance for my shooting. We enjoyed working together to get the shooting done. In the process of making this short film, I not only gained rich practical skills in documentary-making, but also achieved a deeper understanding of Chinese and British cultures through cooking chicken feet. Overall, the filming and creation process was a ‘delicious’ experience.

That’s one small step for delivering Chinese culture through my film, but it is one giant leap for myself as a novice filmmaker. Interestingly, this step was not made by my foot, but by the “chicken feet” in the documentary. In the future, I hope to continue to create more films about intercultural exchange and exploration, to convey the spicy flavour of cultures from a unique perspective.

Author: MA Xiaoxiang
Editors: WANG Liang and Poppy Boyd