Tag: Crime fiction

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Book Reviews

“The Imposter” by Anna Wharton

I was lucky enough to get my hands on a pre-publication proof copy of Anna Wharton’s first novel, The Imposter which is due for release in early 2021. Anna has been a journalist, writer and ghost writer for many, many years and most notably worked alongside Wendy Mitchell on her bestselling memoir about her life with early onset Alzheimer’s, Somebody I Used to Know. It’s easy to see how the time spent working on this amazing non-fiction book impacted Wharton’s first novel. Dementia is a key theme running through The Imposter and the description of both the illness and Grace, who is living with Alzheimer’s are both incredibly accurate and deftly written.

I want to be careful not to give away too many spoilers when describing The Imposter. Suffice to say if you enjoy a well-written thriller with twists and turns and surprises along the way. You’re going to really enjoy this novel. The main protagonist Chloe is an almost reclusive young woman who works as an archivist in a local newspaper by day and spends all her spare time caring for her Nan who has recently been diagnosed with Dementia. Chloe’s life changes really quickly when her Nan’s condition begins to decline so rapidly she’s forced to move the older lady into a residential care facility. As Chloe faces this huge life change she also becomes obsessed with a decades old, missing child case she discovers in the archives at work. Chloe begins to lose touch with her Nan as she becomes more and more entangled in the lives of the missing child’s parents who have never given up hope that their daughter might someday come home.

I’m not going to say too much about the missing child storyline in The Imposter except to say it had me hooked from the start and still on tenterhooks four hundred pages later. Wharton is a brilliant storyteller with a gift for building up tension and introducing believable twists in her plotlines. As a Dementia narrative I also found The Imposter very convincing. It includes so many familiar tropes I’ve come to associate with Alzheimer’s: wandering, confusing times and not recognising family members, forgetting when and what is appropriate to eat. Anyone who’s spent time with a family member or loved one living with Alzheimer’s will recognise both Grace’s behaviour patterns and the ways in which Chloe attempts to protect and reassure her Nan. There’s a scene near the start where Chloe is forced to buy yet another identical electric kettle to replace the ones her Nan has melted on the hob, which I’ve experienced personally with family members who have Dementia. Wharton’s depiction of Chloe is also spot on. Chloe both resents and relies upon the support of the care facility and social worker and Wharton does a wonderful job of capturing her frustration. It’s abundantly clear that Wharton has done a huge amount of research into Dementia and as a result Grace is one of the more believable and accurate of the characters I’ve encountered in my reading so far.

I was also incredibly relieved to find that Dementia has not been reduced now to a plot device in The Imposter. The storyline which explores Grace and Chloe’s relationship runs parallel to the more thriller-like storyline in the novel and exists as a wonderful piece of character development, allowing us to get an insight into who Chloe is and how her relationship with her Nan has developed. I really enjoyed this novel. It was great to see a character with Dementia included in such a well-developed way in a novel which is not primarily about Dementia. I’m looking forward to reading more of Anna Wharton’s work.

The Imposter was published by Mantle Books in 2021 

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Book Reviews

“Three Things About Elsie” by Joanna Cannon

Joanna Cannon’s second novel Three Things About Elsie is set in a home for the elderly. The book takes place across a single evening just after 84 year old Florence has taken a tumble. For the duration of the novel, she’s lying on the floor of her flat waiting to see if anyone’s going to come and offer her help. As her mind skips backwards and forwards between her early life and the more recent events which have brought her to this place, the reader goes on a journey with Florence, piecing together a very old mystery. Florence is clearly living with dementia. She’s frequently confused and often forgetful. There’s a wonderful scene where a cleaner opens her kitchen cupboard to reveal she’s been inadvertently stockpiling Battenberg cake.

Florence is troubled by the sudden appearance of a new resident in the old people’s home. Though this man claims to be someone else, she’s absolutely convinced he’s a man she knew when she was a girl. A man she’s incredibly afraid of. A man whom she thought died fifty years ago. Florence begins her own investigation though it’s increasingly hard for her to keep track of what’s true and what’s not. She’s ably assisted by her friends Jack and Elsie though by the novel’s conclusion we realise Elsie is not exactly what she seems. None of the staff in the older people’s home take Florence’s concerns seriously. She’s frequently dismissed, often ignored and lives in constant fear of being sent to live in a specialist dementia care facility. 

Three Things About Elsie is very similar to Elizabeth is Missing in tone, theme and approach. It’s part of the increasingly large canon of fiction using dementia as a trope within crime fiction and thrillers. It’s a pleasant enough read if somewhat unsurprising. You’ll spot the big twist coming from quite early on. At times it feels like the symptoms of Florence’s dementia fit all too neatly around the plot. She’s confused when the plot requires a little ambiguity and at other times crystal clear and more insightful than many of the other characters. Without giving away too many spoilers I think Cannon effectively handles the conceit of having Florence imagine people who aren’t really there. The reader gets to see both sides of the conversation. The other characters only hear what Florence says. I also enjoyed the aspects dealing with how the care staff perceived their roles and felt the ongoing issue of older people being dismissed and infantilised was handled very well in this novel. It’s not the best dementia narrative I’ve ever read but it is an enjoyable read and you’ll not regret spending time with the characters.

Three Things About Elsie was published by Borough Press in 2018 

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“Turn of Mind” by Alice LaPlante

Turn of Mind was the first novel to win the Wellcome Book Prize, back in 2011. It was also one of the first of a number of novels and stories which used the conceit of Dementia as a vehicle for investigating a murder within a crime fiction context. As such, it’s a really interesting example of Dementia being explored in fiction. The plot is reasonably simple. Dr Jennifer White, a once highly gifted surgeon, has been diagnosed with Alzheimer’s. She finds her friend Amanda stabbed to death and is horrified to discover four of her fingers have been so expertly removed they could easily be, (no pun intended), her own handiwork. Jennifer can’t remember killing her friend, but she can’t be sure she didn’t do it either and suspicion naturally falls upon her. She doesn’t entirely understand the situation and therefore doesn’t know how to react appropriately.

“My guess is that a smile would be inappropriate. Fear might not be.”

I’ll not give away any spoilers because this is an exceptionally well-written, twisty and addictive crime fiction read. You’ll want to enjoy it for yourself without knowing how the story turns out. What I will say is that LaPlante is utterly convincing writing in Jennifer’s voice. The novel gives us such a great insight into what it’s like for a person to be so confused, she no longer even knows what she’s capable of. Jennifer is driven by the desire to piece the events together and find out what’s actually happened. She begins to keep a notebook of facts and this becomes a narrative device effectively employed by LaPlante to fill in the gaps in Jennifer’s memory, keeping the reader clear about the chain of events and timings. We are also given snippets of conversations between Jennifer and her children, and live-in caregiver Magdalena, though increasingly Jennifer is unclear who these people are, and the reader is also unsure which of them are to be trusted. Jennifer suspects everyone, even herself and as we’re following the story from her perspective, we are also encouraged to be distrustful too. Jennifer’s narrative slips in and out of different time periods; memories mixing with facts and perceptions so it’s almost impossible to know what is true.

I really enjoyed this novel. I couldn’t put it down. It’s one of the few examples of Dementia fiction where I found the plot utterly compelling and just as interesting as the characterisation. The Dementia aspect of Turn of Mindcould easily have been reduced down to a simple conceit, nothing more than a clever device for writing crime fiction. However, LaPlante has clearly done her research and both the voice and characterisation of Jennifer is utterly believable. This is a very realistically drawn character living with Dementia who is also caught up in an intriguing story. It’s easy to see why the novel impressed the Wellcome Prize judges.

Turn of Mind was published by Vintage in 2011 

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“By the Pricking of My Thumbs” by Agatha Christie

First published in 1968, Agatha Christie’s 59th crime fiction novel, By the Pricking of My Thumbs might not be the most obvious inclusion in my Dementia bookcase. However, though it never mentions the word Dementia, (the term did not come into widespread use until the 1980s), the novel, much of which is set in a retirement home, is one of the first examples I’ve come across where Dementia -or senility as Christie calls it- is used as a plot device in crime fiction. Recently, we’ve seen a number of crime fiction novels include characters with Dementia as a means of adding confusion, delaying the investigation or increasing the intrigue elements of their plots. I hope to take a closer look at this practice at a later date. Arguably, there is a less well-developed, though even earlier, incidence of this trope in Christie’s work. In her 45th crime fiction novel, A Pocketful of Rye, the story begins with an elderly man experiencing a complete change of personality which, in the 1985 television adaptation, starring the great Joan Hickson as Miss Marple, is quite believably attributed to Lewy Body Dementia.

In, By the Pricking of My Thumbs, Christie’s husband and wife sleuthing duo, Tommy and Tuppence investigate what might or might not be a murder after a confused elderly lady in a nursing home tells them there’s a child’s body buried behind the chimney. The plot hangs upon this confusion. Are old ladies with Dementia to be believed when they make accusations and claim there’s a poisoner at large? Or, are they to be brushed aside and dismissed as Miss Packard, the nursing home’s director seems to think?

“They’re like children, really,” said Miss Packard indulgently. “Only children are far more logical which makes it difficult sometimes with them. But these people are illogical, they want to be reassured by you telling them what they want to believe.”

The implication is reasonably clear. Older ladies living with Dementia no longer have any agency. Miss Packard goes on to call their delusions fancies, although she insists they’re harmless enough. “We try not to take any notice, not to encourage them. Just play it down,” she says. In this sense, Christie could be seen to be echoing the predominant feeling of her time. People who developed, what was then known, as senile dementia were best ‘played down’ or even ignored. They were regularly institutionalised and rarely given access to the kinds of therapies, activities and outlets for self-expression which people living with Dementia routinely engage in these days. And so, it is actually quite counter cultural when Christie reveals, (I’ll be careful here to avoid plot spoilers), that the so-called “illogical” and “delusional” old ladies are actually speaking a version of the truth and attempting to draw attention to a real crime which has occurred. 

Like many tropes within Christie’s writing I go backwards and forwards on the ethics of what she’s doing with her plot and themes. In one sense her inclusion of people living with Dementia as vital, active and -most importantly- helpful characters is well ahead of her time. In another sense, I have reservations about using Dementia as a plot device. Is it ethical to include a character with an illness like Dementia simply to develop an aspect of the narrative? Isn’t this quite a reductive way to view both the illness and the characters themselves? What does this say about how authors view people living with Dementia or other illnesses? There are far too many questions to answer here in a short review. By the Pricking of My Thumbs is late Agatha Christie and probably not one of her best. But it’s still a very enjoyable read and a great treat for me as a big Christie fan to see her engage with the topic of Dementia. It feels a little like my planets have aligned.

By the Pricking of My Thumbs was published by Collins in 1968