{"id":573,"date":"2018-08-21T15:16:21","date_gmt":"2018-08-21T14:16:21","guid":{"rendered":"https:\/\/blogs.qub.ac.uk\/specialcollections\/?p=573"},"modified":"2020-07-10T09:21:28","modified_gmt":"2020-07-10T08:21:28","slug":"newly-digitised-the-journal-of-patrick-lynch","status":"publish","type":"post","link":"https:\/\/blogs.qub.ac.uk\/specialcollections\/newly-digitised-the-journal-of-patrick-lynch\/","title":{"rendered":"The Journal of Patrick Lynch"},"content":{"rendered":"

The Journal of Patrick Lynch<\/a> is available to browse now on Digital Special Collections & Archives.<\/p>\n

\"\"<\/p>\n

This important notebook from the Bunting Collection (MS4)<\/a> charts the journey of Irish-speaking scholar and song collector Patrick Lynch<\/a> as he travels through Ireland in search of songs, in the summer of 1802.<\/p>\n

\"\"
Portrait of Edward Bunting MS4\/39<\/figcaption><\/figure>\n

Edward Bunting<\/a> is well known in Irish traditional music circles as the first significant collector to work in the field. A classically trained organist from County Armagh, Bunting was\u00a0employed to write down the tunes played at the Belfast Harp Festival of\u00a01792 by the\u00a0eleven harpers who gathered there at the Assembly Rooms in Waring Street<\/a>. He devoted much of the rest of his life to the collection of these old Irish tunes.<\/p>\n

However, while Bunting was an accomplished musician and notator, he did not speak Irish and could not therefore record any of the song words.<\/p>\n

Thus, in 1802 Patrick Lynch was engaged\u00a0to set out on a tour of the country to write down the words of songs. Bunting followed after,\u00a0collecting the tunes.<\/p>\n

Lynch’s diary, available now in full with transcripts on Digital Special Collections & Archives<\/a>, describes a trip through Connacht, centring particularly around Mayo.<\/p>\n

Lynch travels from town to town, locating singers and noting down their song words \u2014 sometimes in the houses where he lodged and sometimes in the public houses, supplying to the musicians many a nagin, quart and pint along the way.<\/p>\n

While he receives kind assistance from many people, he also encounters obstacles including bad weather, flooded rivers and dwindling funds. He is regarded with deep suspicion by some locals.<\/p>\n

A tiny note in Gaelic script is written in the margin of page 018<\/a>.<\/p>\n

\"\"
Is trua\u0121 fear fala\u1e41 gan \u010baraid = Is truagh fear falumh gan charaid<\/figcaption><\/figure>\n

When we threw this out to our social media followers<\/a>, two helpful gaelg\u00f3ir\u00ed with knowledge of Gaelic script offered translations into modern Irish and English:<\/p>\n

Pitiful is a poor man with no friend<\/p><\/blockquote>\n

and<\/p>\n

The destitute man without friends is to be pitied<\/p><\/blockquote>\n

A similar note was spotted at the bottom of page 074<\/a>.<\/p>\n

\"\"
Is truagh duine gan charaid a ccoigcrioch gan airgid<\/figcaption><\/figure>\n

Our follower on Facebook<\/a> suggested the following translation:<\/p>\n

Pitiful is a person without a friend in a foreign place without money.<\/p><\/blockquote>\n

Poor Patrick!<\/p>\n

Indeed, by this stage in his journey, Lynch was broke (all those pints?) and his requests for help to his employers (the McCrackens in Belfast) had gone unanswered. He suspected his letters had been suppressed by an ill-disposed postal worker.<\/p>\n

Lynch collected almost 200 songs on his journey, and many of these were intended for inclusion in Bunting’s revised edition of his A general collection of the ancient Irish music<\/em> in 1809. However, Bunting withdrew all of Lynch’s work from publication after Lynch, along with others, was forced to give evidence at the trial of their mutual friend\u00a0Thomas Russell<\/a> in 1803. Russell was executed by hanging at Downpatrick Gaol in October of that year.<\/p>\n

Other manuscript items by Patrick Lynch can be found in our Bunting Collection,\u00a0<\/a>and several of these are available in Digital Special Collections & Archives.<\/p>\n

\n

Further reading:<\/p>\n

Bunting, Edward\u00a0A general collection of the ancient<\/span> Irish music <\/em>London: Preston & son\u00a0 (published in 1796, revised in 1809 and 1840)<\/p>\n

Fox, Charlotte Milligan Annals of the Irish Harpers<\/em>\u00a0 London: Smith, Elder & co, 1911<\/p>\n

Moloney, Colette\u00a0The Irish music manuscripts of Edward Bunting (1773-1843) : an introduction and catalogue<\/em> Dublin: ITMA, 2000<\/p>\n","protected":false},"excerpt":{"rendered":"

The Journal of Patrick Lynch is available to browse now on Digital Special Collections & Archives. This important notebook from<\/p>\n","protected":false},"author":1,"featured_media":604,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[21,4],"tags":[25,28,23,27,26],"class_list":["post-573","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-digital-resources","category-manuscript-collections","tag-edward-bunting","tag-irish-language","tag-irish-studies","tag-music","tag-patrick-lynch"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2018\/08\/003_blogfeatureimage.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa8s7J-9f","_links":{"self":[{"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/posts\/573","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/comments?post=573"}],"version-history":[{"count":34,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/posts\/573\/revisions"}],"predecessor-version":[{"id":1973,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/posts\/573\/revisions\/1973"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/media\/604"}],"wp:attachment":[{"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/media?parent=573"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/categories?post=573"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/tags?post=573"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}