{"id":2020,"date":"2020-09-21T15:33:47","date_gmt":"2020-09-21T14:33:47","guid":{"rendered":"https:\/\/blogs.qub.ac.uk\/specialcollections\/?p=2020"},"modified":"2020-09-21T17:14:42","modified_gmt":"2020-09-21T16:14:42","slug":"george-benjamin-fentum-organist-at-shanghai","status":"publish","type":"post","link":"https:\/\/blogs.qub.ac.uk\/specialcollections\/george-benjamin-fentum-organist-at-shanghai\/","title":{"rendered":"George Benjamin Fentum, organist at Shanghai"},"content":{"rendered":"\n<p>Researcher, Keith Robinson has written this blog on the music programme&#8217;s of Sir Robert Hart. <\/p>\n\n\n\n<p>Saturday 29th May 1886 Shanghai. <a href=\"http:\/\/digital-library.qub.ac.uk\/digital\/collection\/p15979coll33\/id\/256\">Digital version of music programme<\/a>. <\/p>\n\n\n\n<p>Organist: Mr G.B. Fentum<\/p>\n\n\n\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"718\" height=\"1024\" src=\"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/MS-15.1.32.4a.1-718x1024.jpg\" alt=\"\" class=\"wp-image-2021\" srcset=\"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/MS-15.1.32.4a.1-718x1024.jpg 718w, https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/MS-15.1.32.4a.1-210x300.jpg 210w, https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/MS-15.1.32.4a.1-768x1096.jpg 768w, https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/MS-15.1.32.4a.1-1077x1536.jpg 1077w, https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/MS-15.1.32.4a.1-1435x2048.jpg 1435w, https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/MS-15.1.32.4a.1-scaled.jpg 1794w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><figcaption>MS 15\/1\/32\/4a\/1 QUB Special Collections<\/figcaption><\/figure><\/div>\n\n\n\n<p>This is the only one of Hart\u2019s Music Programmes that is of an Organ Recital. The organist George Benjamin Fentum was born in 9 June 1843 St Helier, Channel Islands.<a href=\"#_ftn1\">[1]<\/a> His father was George Fentum, Professor of Music. His mother\u2019s name was Jane.<a href=\"#_ftn2\">[2]<\/a> At some time he went to work in Singapore and then because of ill health in 1872 he moved to Shanghai.<\/p>\n\n\n\n<p>References to him performing start to occur in the North China Herald around 1875.<a href=\"#_ftn3\">[3]<\/a>&nbsp; Early comments are on his technical ability, but lack of warmth in the interpretation \u2026 he seems not be accompanying performances on piano. There are frequent mentions in the North China Herald, for instance in 1876 he is accompanying a performance of \u201cBox and Cox\u201d by an amateur company.&nbsp; As early as March 1878 he is giving concerts with Mr Iberg and a cellist and playing Beethoven\u2019s Trio. He accompanied a performance of Handle\u2019s \u201cJudas Maccabeus\u201d etc. So he is very busy with all kinds of musical activities.<\/p>\n\n\n\n<p>There is an entry on the 11th June 1877, Northern Lodge of China, Shanghai Masonic book stating his occupation as organist.<a href=\"#_ftn1\">[4]<\/a><\/p>\n\n\n\n<p>In 1878 he is organising concerts to raise money to buy an organ for Trinity Cathedral. In June 1919, the North China Herald reports on a discussion to replace the church organ. \u201cThe organ was built in 1882 and Mr Fentum was the organist. He impressed upon the organ builders Messers Walker and Sons the necessity of using the very simplest possible mechanism because of the probability that anything complicated could go wrong. The \u201ctouch\u201d was always heavy and now seems to have become worse.\u201d<a href=\"#_ftn2\">[5]<\/a><\/p>\n\n\n\n<p>So this Recital on Saturday 29th May 1886 in Shanghai (<a href=\"http:\/\/digital-library.qub.ac.uk\/digital\/collection\/p15979coll33\/id\/256\">http:\/\/digital-library.qub.ac.uk\/digital\/collection\/p15979coll33\/id\/256)<\/a> came not long after the new organ had been installed.<\/p>\n\n\n\n<p>Although the programme does include a Bach piece what is notable is that most of the other composers represented were fairly contemporary.<\/p>\n\n\n\n<p><strong>Christmas Offertoire Lemmens<\/strong><\/p>\n\n\n\n<p>Jacques-Nicolas Lemmens (1823-1881) was a Belgium composer and influential organ teacher credited with bringing people\u2019s attention back to the music of J.S. Bach. The Christmas Offertorium: Chorus of Shepherds &#8211; Gloria in excelsis Deo &#8211; Pastorale &#8211; Adoration &#8211; Chorus.<\/p>\n\n\n\n<p><strong>2. Nazareth . . . . . . . . Gounod.<\/strong><\/p>\n\n\n\n<p>First Pub 1856 for baritone, piano, organ ad lib. So like the Beethoven in this programme this piece would have been an arrangement.<\/p>\n\n\n\n<p><strong>3. Adagio in G., Op. 1 . . . . . Mendelssohn.<\/strong><\/p>\n\n\n\n<p>Mendelssohn wrote 6 Organ Sonatas but none of the adagio\u2019s are in G, nor are they his Op1 so I don\u2019t know what this work could have been.<\/p>\n\n\n\n<p><strong>4. Fantasia and Fugue in G Minor . . Bach.<\/strong><\/p>\n\n\n\n<p>This is a famous work BWV 542. One does wonder what this might have sounded like as the newspaper report says \u201cthe action of the organ was always heavy\u201d.<\/p>\n\n\n\n<p><strong>5. a. Prayer . . . . . . Guilmans.<\/strong><\/p>\n\n\n\n<p>     <strong>b. March<\/strong><\/p>\n\n\n\n<p>Alexandre Guilmant (12 March 1837 \u2014 29 March 1911) was a French organist and prolific composer for the organ for example: Pieces with Different Style (18 books); The Practical Organist (12 books).<\/p>\n\n\n\n<p><strong>6. a. Andante in E. Minor . . . . Batiste<\/strong><\/p>\n\n\n\n<p>    <strong>b. Offertoire in B. Minor<\/strong><\/p>\n\n\n\n<p>Edward Batiste (1820-1876) French organist and composer.<\/p>\n\n\n\n<p>Fentum moved to Australia around 1886, having given notice of his resignation on 10 March 1886. He was responsible for having many organs built there. He was the Presbyterian Women\u2019s College Director of Music, in Sydney<a href=\"#_ftn1\">[6]<\/a>.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"750\" src=\"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/Mr-Fentum-PLC-East-Melbourne-early-20th-Century-1024x750.jpg\" alt=\"\" class=\"wp-image-2022\" srcset=\"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/Mr-Fentum-PLC-East-Melbourne-early-20th-Century-1024x750.jpg 1024w, https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/Mr-Fentum-PLC-East-Melbourne-early-20th-Century-300x220.jpg 300w, https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/Mr-Fentum-PLC-East-Melbourne-early-20th-Century-768x563.jpg 768w, https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/Mr-Fentum-PLC-East-Melbourne-early-20th-Century-1536x1125.jpg 1536w, https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/Mr-Fentum-PLC-East-Melbourne-early-20th-Century.jpg 1698w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption>Mr Fentum: <em>Presbyterian Ladies&#8217; College: East Melbourne Prospectus 1910 &#8211; 1912<\/em>.&nbsp; Source: PLC Melbourne Archive&nbsp;<a rel=\"noreferrer noopener\" href=\"http:\/\/www.plc.vic.edu.au\/\" target=\"_blank\">www.plc.vic.edu.au<\/a><\/figcaption><\/figure>\n\n\n\n<p>George Fentum died in Australia on 05 September 1914. In the National Library of Australia there is a handwritten manuscript of the vocal part to a composition by him called \u201cThe Passion\u201d.<a href=\"#_ftn1\">[7]<\/a><\/p>\n\n\n\n<p>Hart had wide ranging musical tastes and this programme from <a href=\"http:\/\/digital-library.qub.ac.uk\/digital\/collection\/p15979coll33\/id\/256\">Saturday 29th May 1886 Shanghai<\/a>&nbsp;shows us just one facet of his musical interests.<\/p>\n\n\n\n<hr class=\"wp-block-separator\" \/>\n\n\n\n<p><a href=\"#_ftnref1\">[1]<\/a> St Helier baptisms 1842-1909 Fagg to Fielding<\/p>\n\n\n\n<p><a href=\"https:\/\/www.theislandwiki.org\/index.php\/St_Helier_baptisms_1842-1909_Fagg_to_Fielding\">https:\/\/www.theislandwiki.org\/index.php\/St_Helier_baptisms_1842-1909_Fagg_to_Fielding<\/a> (accessed 24 June 2020)<\/p>\n\n\n\n<p><a href=\"#_ftnref2\">[2]<\/a> Census, Channel Island 1861 (accessed 24 June 2020)<\/p>\n\n\n\n<p><a href=\"#_ftnref3\">[3]<\/a> North China Herald Online (accessed 05 April 2020)<\/p>\n\n\n\n<p><a href=\"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-admin\/post.php?post=2020&amp;action=edit#_ftnref1\">[4]<\/a> <a href=\"https:\/\/search.ancestry.com\/search\/db.aspx?dbid=60620\">England, United Grand Lodge of England Freemason Membership Registers, 1751-1921<\/a> (accessed 05 April 2020)<\/p>\n\n\n\n<p><a href=\"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-admin\/post.php?post=2020&amp;action=edit#_ftnref2\">[5]<\/a> North China Herald Online (accessed 05 April 2020)<\/p>\n\n\n\n<p><a href=\"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-admin\/post.php?post=2020&amp;action=edit#_ftnref1\">[6]<\/a> PRESBYTERIAN LADIES\u2019 COLLEGE &nbsp;Old Collegians\u2019 Association MELBA MUSIC CONCERT&nbsp; SATURDAY 21 MARCH 2020 AT 3PM&nbsp; <a href=\"https:\/\/www.plc.vic.edu.au\/sites\/default\/files\/OCA_Melba_Concert_Program_B.pdf\">https:\/\/www.plc.vic.edu.au\/sites\/default\/files\/OCA_Melba_Concert_Program_B.pdf<\/a> (accessed 05 April 2020)<\/p>\n\n\n\n<p><a href=\"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-admin\/post.php?post=2020&amp;action=edit#_ftnref1\">[7]<\/a> &nbsp;The passions [music]: an ode for S.A.T.B. and pianoforte <a href=\"https:\/\/nla.gov.au\/nla.obj-169072474\/view?searchTerm=G.B.Fentum%3FsearchTerm%3DG.B.Fentum&amp;partId=nla.obj-169072594#page\/n1\/mode\/1up\">https:\/\/nla.gov.au\/nla.obj-169072474\/view?searchTerm=G.B.Fentum%3FsearchTerm%3DG.B.Fentum&amp;partId=nla.obj-169072594#page\/n1\/mode\/1up<\/a> (accessed 05 April 2020)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Researcher, Keith Robinson has written this blog on the music programme&#8217;s of Sir Robert Hart. Saturday 29th May 1886 Shanghai.<\/p>\n","protected":false},"author":1,"featured_media":2022,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[55,4],"tags":[8,155,154,150,16,68],"class_list":["post-2020","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-archives","category-manuscript-collections","tag-china","tag-g-b-fenton","tag-george-benjamin-fenton","tag-music-programmes","tag-robert-hart","tag-sir-robert-hart"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-content\/uploads\/sites\/44\/2020\/09\/Mr-Fentum-PLC-East-Melbourne-early-20th-Century.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa8s7J-wA","_links":{"self":[{"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/posts\/2020","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/comments?post=2020"}],"version-history":[{"count":4,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/posts\/2020\/revisions"}],"predecessor-version":[{"id":2026,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/posts\/2020\/revisions\/2026"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/media\/2022"}],"wp:attachment":[{"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/media?parent=2020"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/categories?post=2020"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/specialcollections\/wp-json\/wp\/v2\/tags?post=2020"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}