{"id":5919,"date":"2026-01-21T12:16:56","date_gmt":"2026-01-21T12:16:56","guid":{"rendered":"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/?p=5919"},"modified":"2026-01-21T13:01:52","modified_gmt":"2026-01-21T13:01:52","slug":"cct-mburnett","status":"publish","type":"post","link":"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/2026\/01\/21\/cct-mburnett\/","title":{"rendered":"CCT-MBurnett"},"content":{"rendered":"\n<p><strong>Shakespeare, Cinema, China<br>\u300a\u838e\u58eb\u6bd4\u4e9a\u00a0\u00a0\u00b7\u00a0\u7535\u5f71\u00a0\u00b7\u00a0\u4e2d\u56fd\u300b<\/strong><\/p>\n\n\n\n<p>Monday 16th February 2026<br>13:00-14:00\u00a0<br>Auditorium, The McClay Library<\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-content\/uploads\/sites\/11\/2026\/01\/CCF1-MBurnett-1024x576.jpg\" alt=\"\" class=\"wp-image-5923\" srcset=\"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-content\/uploads\/sites\/11\/2026\/01\/CCF1-MBurnett-1024x576.jpg 1024w, https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-content\/uploads\/sites\/11\/2026\/01\/CCF1-MBurnett-300x169.jpg 300w, https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-content\/uploads\/sites\/11\/2026\/01\/CCF1-MBurnett-768x432.jpg 768w, https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-content\/uploads\/sites\/11\/2026\/01\/CCF1-MBurnett-1536x864.jpg 1536w, https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-content\/uploads\/sites\/11\/2026\/01\/CCF1-MBurnett-500x281.jpg 500w, https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-content\/uploads\/sites\/11\/2026\/01\/CCF1-MBurnett.jpg 1920w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><strong>Speaker<\/strong>:<br><strong>Professor Mark Thornton<\/strong> <strong>Burnett<\/strong> is Professor of Renaissance Studies at Queen\u2019s University Belfast, UK. He is the author of <em>Masters and Servants in English Renaissance Drama and Culture: Authority and Obedience<\/em> (Basingstoke: Macmillan, 1997), <em>Constructing \u2018Monsters\u2019 in Shakespearean Drama and Early Modern Culture<\/em> (Basingstoke: Palgrave, 2002), <em>Filming Shakespeare in the Global Marketplace<\/em> (Basingstoke: Palgrave, 2007; 2<sup>nd<\/sup> ed. 2012), <em>Shakespeare and World Cinema<\/em> (Cambridge: Cambridge University Press, 2013) and <em>\u2018Hamlet\u2019 and World Cinema<\/em> (Cambridge: Cambridge University Press, 2019). He is series editor of the Arden Shakespeare series, \u2018Shakespeare and Adaptation\u2019.<br><br><a href=\"https:\/\/pure.qub.ac.uk\/en\/persons\/mark-burnett\/\" target=\"_blank\" rel=\"noreferrer noopener\">Full profile<\/a>   \u00a0<br><strong><br>Abstract<\/strong>:<br>In this talk, I explore the deep connection between the uses of Shakespeare in cinema and China\u2019s evolving cultural, economic and social significances.\u00a0Shakespeare figures variously in Chinese cinema \u2013 as echo and adaptation, as allusion and full-blown transposition, as semi-quotation and vernacular rewrite, as prompt for comic business, and as an exercise in nostalgia.\u00a0Introducing a broad sweep of historical examples, and centring on two recent\u00a0<em>Hamlet<\/em>\u00a0adaptations \u2013\u00a0<em>The Banquet<\/em>\u00a0(dir.\u00a0Feng Xiaogang,\u00a02006) and\u00a0<em>Prince of the Himalayas<\/em>\u00a0(dir. Sherwood Hu, 2006) \u2013 I argue that\u00a0Shakespeare and China share a fruitful and exciting relationship, one allied to the past, rooted in the present, and enlivened by continuing intercultural exchange.<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex wp-block-buttons-is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/go.qub.ac.uk\/CCP2026\"><strong>CCP2026 Homepage<\/strong><\/a><\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shakespeare, Cinema, China\u300a\u838e\u58eb\u6bd4\u4e9a\u00a0\u00a0\u00b7\u00a0\u7535\u5f71\u00a0\u00b7\u00a0\u4e2d\u56fd\u300b Monday 16th February 202613:00-14:00\u00a0Auditorium, The McClay Library Speaker:Professor Mark Thornton Burnett is Professor of Renaissance Studies at Queen\u2019s University Belfast, UK. He is the author of Masters and Servants in English Renaissance Drama and Culture: Authority and &hellip; <a href=\"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/2026\/01\/21\/cct-mburnett\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":63,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,14,28,38,4,86],"tags":[375,27,376,89,122,374,118],"class_list":["post-5919","post","type-post","status-publish","format-standard","hentry","category-chinese-culture","category-chinese-lig","category-chinese-new-year-spring-festival-lion-dance-dragon-dance-queens-university-belfast-the-language-centre","category-festival","category-film-cinema","category-literature","tag-chinese-cinema","tag-chinese-culture","tag-intercultural-exchange","tag-literature","tag-lovequb","tag-shakespeare","tag-spring-festival"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pa93ff-1xt","jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-json\/wp\/v2\/posts\/5919","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-json\/wp\/v2\/comments?post=5919"}],"version-history":[{"count":4,"href":"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-json\/wp\/v2\/posts\/5919\/revisions"}],"predecessor-version":[{"id":5924,"href":"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-json\/wp\/v2\/posts\/5919\/revisions\/5924"}],"wp:attachment":[{"href":"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-json\/wp\/v2\/media?parent=5919"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-json\/wp\/v2\/categories?post=5919"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/mandarinchinese\/wp-json\/wp\/v2\/tags?post=5919"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}