{"id":30,"date":"2025-10-09T16:07:02","date_gmt":"2025-10-09T15:07:02","guid":{"rendered":"https:\/\/blogs.qub.ac.uk\/eutopiajournal\/?page_id=30"},"modified":"2026-03-14T19:38:09","modified_gmt":"2026-03-14T19:38:09","slug":"volume-1-number-1-may-2025","status":"publish","type":"page","link":"https:\/\/blogs.qub.ac.uk\/eutopiajournal\/volume-1-number-1-may-2025\/","title":{"rendered":"Current Issue"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><strong><em>Journal of Eutopia Art and Culture<\/em><br>Volume 1, Number 1 \u2013 May 2025<\/strong><br><strong>ISSN 2978-0721<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image\"><img decoding=\"async\" src=\"https:\/\/blogs.qub.ac.uk\/eutopiafilmfest\/wp-content\/uploads\/sites\/27\/2025\/05\/052025-4.png\" alt=\"\" class=\"wp-image-1833\" \/><\/figure>\n\n\n\n<h3 class=\"wp-block-heading\">Table of Contents<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Preface<\/strong><br><em>Sivang Gu<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Two Faces of the Female Ghost: Female Images and Cultural Expression in Asian Horror Cinema\u2014A Comparative Study of the 1960 Version of <em>A Chinese Ghost Story<\/em> and <em>Kwaidan<\/em><\/strong><br><em>Xiaoxiang Ma<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Transformation of the Ghost Image in Modern China<\/strong><br><em>Shibei Shen<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Rotimi Fani-Kayode\u2019s Influence on Sexuality, Race, and Identity in British Art<\/strong><br><em>Hongxuan Li<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>\u201cSoft Cooperation\u201d: The Necessity of Strengthening Cultural Cooperation Between China and Russia<\/strong><br><em>Ziheng Wang<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Exploring Genre Conventions and Audience Reception in <em>Breaking Bad<\/em> and <em>The Wire<\/em><\/strong><br><em>Hanling Cao<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>2003: Hong Kong\u2019s Breaking Point<\/strong><br><em>Helena Cunningham<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>The Forgotten People: China&#8217;s Mentally Ill<\/strong><br><em>Yang Ni<\/em><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Eutopia Arthouse Film Festival Annual Film Review: \u2018Zen\u2019s Faraway Verse\u2019 and the Audiovisual Practice of Philosophy<\/strong><br><em>Tianpeng Yao<\/em><\/p>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/blogs.qub.ac.uk\/eutopiajournal\/wp-content\/uploads\/sites\/78\/2025\/10\/Journal-of-Eutopia-Art-and-Culture-05.-2025-Final-Edition-1.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed of Journal of Eutopia Art and Culture 05. 2025 Final Edition (1).\"><\/object><a id=\"wp-block-file--media-9a02746b-4f70-4455-b55f-d4ff125654f1\" href=\"https:\/\/blogs.qub.ac.uk\/eutopiajournal\/wp-content\/uploads\/sites\/78\/2025\/10\/Journal-of-Eutopia-Art-and-Culture-05.-2025-Final-Edition-1.pdf\">Journal of Eutopia Art and Culture 05. 2025 Final Edition (1)<\/a><a href=\"https:\/\/blogs.qub.ac.uk\/eutopiajournal\/wp-content\/uploads\/sites\/78\/2025\/10\/Journal-of-Eutopia-Art-and-Culture-05.-2025-Final-Edition-1.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-9a02746b-4f70-4455-b55f-d4ff125654f1\">Download<\/a><\/div>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Journal of Eutopia Art and CultureVolume 1, Number 1 \u2013 May 2025ISSN 2978-0721 Table of Contents PrefaceSivang Gu The Two Faces of the Female Ghost: Female Images and Cultural Expression in Asian Horror Cinema\u2014A Comparative Study of the 1960 Version&hellip; 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