{"id":60,"date":"2021-04-21T15:30:00","date_gmt":"2021-04-21T14:30:00","guid":{"rendered":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/?p=60"},"modified":"2023-05-01T22:00:40","modified_gmt":"2023-05-01T21:00:40","slug":"playing-the-man-or-trousers-roles-call-for-contributors-6","status":"publish","type":"post","link":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/2021\/04\/21\/playing-the-man-or-trousers-roles-call-for-contributors-6\/","title":{"rendered":"Playing the man or trousers roles: Call for contributors 6"},"content":{"rendered":"\n

Below is the final ‘Call for Contributors’ post for the Dance Biography blog. Several posts on this theme are invited, including subjects not posted below.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Chalon, Alfred Edward, 1780-1860 (artist). \u2018Pauline Duvernay. [Lithograph by Alfred E. Chalon]\u2019. <\/strong>[London, ca. 1836]. The New York Public Library Digital Collections<\/em>.  https:\/\/digitalcollections.nypl.org\/items\/fa820f30-8b72-0131-1ba4-58d385a7b928<\/a><\/p>\n\n\n\n

Costume de Melle Maria, r\u00f4le d\u2019un PAGE, dans La chatte m\u00e9tamorphes\u00e9e en femme, ballet. Acad\u00e9mie Royale de Musique, no. n51.\u2019 Paris,[1837?].  https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b70016661<\/a><\/p>\n\n\n\n

Currier, Nathaniel, 1813-1888 (lithographer and publisher) after William Drummond. \u2018Maddle Celeste as the wild Arab boy.\u2019 <\/strong>New York, lith. & pub. by N. Currier, 2 Spruce St. [1839?]. The New York Public Library Digital Collections<\/em>.<\/p>\n\n\n\n

Fairburn, J. (publisher). \u2018Madam Celeste as the dumb Arab boy in The siege of Constantine.\u2019 <\/strong>[London] pub. by J. Fairburn, Jan. 15, 1838. The New York Public Library Digital Collections<\/em>. https:\/\/digitalcollections.nypl.org\/items\/c9122840-294d-0131-8c9b-58d385a7b928<\/a><\/p>\n\n\n\n

Lecomte, Hippolyte, 1781-1857 (designer). \u2018La Muette de Portici: seize maquettes de costumes, No. 9 Les Pages Ballet Dames.\u2019 [n.p., 1828]. https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b84545168<\/a><\/p>\n\n\n\n

Maleuvre, Louis, 1785-after 1837 (engraver). \u2018Costume de Melle Taglioni, r\u00f4le de ZULMA, La r\u00e9volte au s\u00e9rail<\/em>, ballet. Acad\u00e9mie Royale de Musique, no. 838.\u2019 Paris, [1833?]. https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b7001466b<\/a><\/p>\n\n\n\n

Maleuvre, Louis, 1785-after 1837 (engraver). \u2018Costume de Melle Pauline Leroux, r\u00f4le de Z\u00e9\u00efr, La r\u00e9volte au s\u00e9rail<\/em>, ballet. Acad\u00e9mie Royale de Musique, no. 836.\u2019 Paris, [1833?]. https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b7001411c<\/a><\/p>\n\n\n\n

Maleuvre, Louis, 1785-after 1837 (engraver). \u2018Costume de Mazilier, r\u00f4le de ISMA\u00cfL, La r\u00e9volte au s\u00e9rail<\/em>, ballet. Acad\u00e9mie Royale de Musique, no. 841.\u2019 Paris, [1833?]. https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b70017560<\/a><\/p>\n\n\n\n

All offers of contributions, on this or any other subject, to the editor Sarah McCleave, s.mccleave@qub.ac.uk<\/p>\n","protected":false},"excerpt":{"rendered":"

Below is the final ‘Call for Contributors’ post for the Dance Biography blog. Several posts on this theme are invited, including subjects not posted below. Chalon, Alfred Edward, 1780-1860 (artist). \u2018Pauline Duvernay. [Lithograph by Alfred E. Chalon]\u2019. [London, ca. 1836]. The New York Public Library Digital Collections.  https:\/\/digitalcollections.nypl.org\/items\/fa820f30-8b72-0131-1ba4-58d385a7b928 Costume de Melle Maria, r\u00f4le d\u2019un PAGE, […]<\/p>\n","protected":false},"author":56,"featured_media":61,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[52,1],"tags":[10,29,30,28,31,33,32],"class_list":["post-60","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dancebiography","category-uncategorised","tag-call-for-contributors","tag-madame-celeste","tag-marie-taglioni","tag-pauline-duvernay","tag-pauline-leroux","tag-theatre-dance","tag-trousers-role"],"jetpack_featured_media_url":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-content\/uploads\/sites\/26\/2021\/04\/Duvernay-in-trousers.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/60","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/users\/56"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/comments?post=60"}],"version-history":[{"count":1,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/60\/revisions"}],"predecessor-version":[{"id":62,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/60\/revisions\/62"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/media\/61"}],"wp:attachment":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/media?parent=60"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/categories?post=60"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/tags?post=60"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}