{"id":56,"date":"2021-04-21T13:30:00","date_gmt":"2021-04-21T12:30:00","guid":{"rendered":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/?p=56"},"modified":"2023-05-01T22:00:19","modified_gmt":"2023-05-01T21:00:19","slug":"noblet-to-taglioni-call-for-contributors-5","status":"publish","type":"post","link":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/2021\/04\/21\/noblet-to-taglioni-call-for-contributors-5\/","title":{"rendered":"Noblet to Taglioni: Call for contributors 5"},"content":{"rendered":"\n

Above: Anonymous print of Marie Sall\u00e9 in ‘Ballet des fleurs’ from the New York Public Library<\/em>.<\/p>\n\n\n\n

Below are further proposed themes, subjects, and and images for the Dance Biography blog:<\/p>\n\n\n\n

\u201cESCAPING EFFIE\u201d Noblet, Lise<\/strong> (1801-1852)<\/strong><\/p>\n\n\n\n

Costume sketch, Hautecoeur-Martinet, number 728, Lise Noblet in La Sylphide as Effie, circa 1832. Houghton library, George Chaffee Dance Collection.<\/p>\n\n\n\n

Gr\u00e9vedon, Henri, 1776-1860 (artist), and Alphonse Bichebois, 1801-1850 (lithographer). \u2018Melle Noblet de l’Acad\u00e9mie royale de Musique.\u2019<\/p>\n\n\n\n

Paris, [182-].  The New York Public Library Digital Collections<\/em>. http:\/\/digitalcollections.nypl.org\/items\/b66f4be0-beb3-0132-6b2c-58d385a7bbd0<\/a><\/p>\n\n\n\n

Maleuvre , Louis, b. 1785 (engraver). \u2018Costume de Mlle. Noblet dans La r\u00e9volte au s\u00e9rail<\/em> ballet. Acte II.\u2019 Paris, [1833?].  https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b70016876<\/a><\/p>\n\n\n\n

Vigneron, Pierre Roch, 1789-1872 (del.). \u2018Melle. Noblet, Acad\u00e9mie royale de musique.\u2019 [Paris], [c. 1830]. The New York Public Library Digital Collections<\/em>. http:\/\/digitalcollections.nypl.org\/items\/dbac5e70-beb3-0132-babd-58d385a7bbd0<\/a><\/p>\n\n\n\n

FORTHCOMING<\/strong> Parisot, Mlle (c. 1775-after 1837) ‘Body on Show’ by Sarah McCleave<\/p>\n\n\n\n

FORTHCOMING<\/strong> Sall\u00e9, Marie (1709?-1756) ‘La Vestale’ by Sarah McCleave<\/p>\n\n\n\n

FORTHCOMING<\/strong>: Santlow, Hester, ‘The Loves of Mars and Venus’ (provisional title) by Moira Goff.<\/p>\n\n\n\n

FORTHCOMING<\/strong> Subligny, Marie-Th\u00e9r\u00e8se (1666-1735?) ‘The First Lady of Dance’ by Jennifer Thorp.<\/p>\n\n\n\n

Mariette, Jean, 1660-1742 (engraver). “Mademoiselle Subligny dansant \u00e0 l’Op\u00e9ra.” Paris, [169-?]. The New York Public Library Digital Collections<\/em>. http:\/\/digitalcollections.nypl.org\/items\/510d47e2-0c52-a3d9-e040-e00a18064a99<\/a><\/p>\n\n\n\n

THE GENIUS OF DANCE:<\/strong> Taglioni, Maria (1804-1884)<\/p>\n\n\n\n

\u2018Taglioni.\u2019 Paris: F. Sinnett (rotonde 10) galerie Colbert [183-?]. The New York Public Library Digital Collections<\/em>. http:\/\/digitalcollections.nypl.org\/items\/a64800a0-dd56-0132-0538-58d385a7bbd0<\/a><\/p>\n\n\n\n

Gr\u00e9vedon, Henri, 1776-1860 (illustrator). [\u2018Marie Taglioni.\u2019] [Paris, ca.1840]. The New York Public Library Digital Collections<\/em>. 1840. http:\/\/digitalcollections.nypl.org\/items\/1d7d39c0-dd5a-0132-3af0-58d385a7bbd0<\/a><\/p>\n\n\n\n

Lane, Richard James, 1800-1872 (artist), after Alfred Edward Chalon. \u2018Marie Taglioni [fac. sig.].\u2019 [London], 1831. The New York Public Library Digital Collections<\/em>. http:\/\/digitalcollections.nypl.org\/items\/510d47e2-0c43-a3d9-e040-e00a18064a99<\/a><\/p>\n\n\n\n

Lange, Jane (Ange-Louis Janet, 1811-1872), illustrator, lithographer, engraver. \u2018Sc\u00e8ne des fleurs, dans\u00e9e par Mlle Taglioni (Acad\u00e9mie Royale de musique).\u2019 https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b8427166w<\/a><\/p>\n\n\n\n

No\u00ebl, Alphonse L\u00e9on, 1807-1884 (lithographer). \u2018Mlle Taglioni Acad\u00e9mie de Musique.\u2019 Paris, [c.1840]. The New York Public Library Digital Collections<\/em>. http:\/\/digitalcollections.nypl.org\/items\/94bd81d0-dd59-0132-ff26-58d385a7bbd0<\/a><\/p>\n\n\n\n

Vigneron, Pierre Roch, 1789-1872 (artist). \u2018Melle. Taglioni.\u2019 Paris, [183-]. The New York Public Library Digital Collections<\/em>. http:\/\/digitalcollections.nypl.org\/items\/0a5ea010-dd59-0132-6afa-58d385a7bbd0<\/a><\/p>\n\n\n\n

\n\n\n\n

Offers of contributions, on the above or other subjects, to the editor Sarah McCleave, s.mccleave@qub.ac.uk<\/p>\n","protected":false},"excerpt":{"rendered":"

Above: Anonymous print of Marie Sall\u00e9 in ‘Ballet des fleurs’ from the New York Public Library. Below are further proposed themes, subjects, and and images for the Dance Biography blog: \u201cESCAPING EFFIE\u201d Noblet, Lise (1801-1852) Costume sketch, Hautecoeur-Martinet, number 728, Lise Noblet in La Sylphide as Effie, circa 1832. Houghton library, George Chaffee Dance Collection. […]<\/p>\n","protected":false},"author":56,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[52,1],"tags":[10,37,34,36,30,19,35,33],"class_list":["post-56","post","type-post","status-publish","format-standard","hentry","category-dancebiography","category-uncategorised","tag-call-for-contributors","tag-hester-santlow","tag-lise-noblet","tag-marie-salle","tag-marie-taglioni","tag-marie-therese-perdou-de-subligny","tag-mlle-parisot","tag-theatre-dance"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/56","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/users\/56"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/comments?post=56"}],"version-history":[{"count":4,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/56\/revisions"}],"predecessor-version":[{"id":71,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/56\/revisions\/71"}],"wp:attachment":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/media?parent=56"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/categories?post=56"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/tags?post=56"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}