{"id":50,"date":"2021-04-21T13:00:00","date_gmt":"2021-04-21T12:00:00","guid":{"rendered":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/?p=50"},"modified":"2022-03-01T18:02:06","modified_gmt":"2022-03-01T18:02:06","slug":"guimard-to-nielson-call-for-contributors-4","status":"publish","type":"post","link":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/2021\/04\/21\/guimard-to-nielson-call-for-contributors-4\/","title":{"rendered":"Guimard to Nielson: Call for contributors 4"},"content":{"rendered":"\n

Above: Mlle Jos\u00e9phine Hullin. Source: gallica.bnf.fr. \/BnF<\/em>.<\/p>\n\n\n\n

Below are further proposed themes, subjects, and images for the Dance Biography blog:<\/p>\n\n\n\n

\u201cLA GUIMARD in PARIS and LONDON\u201d:<\/strong> Guimard, Marie Madeleine (1743-1816)<\/p>\n\n\n\n

Boquet, Louis-Ren\u00e9, 1717-1814 (designer). Tancr\u00e8de Mlle Guimard guerri\u00e8re 1764 [maquette de costume]. [n.p., 1764].. https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b8454777n?rk=21459;2<\/a><\/p>\n\n\n\n

Gervais, Eug\u00e8ne (after F. Boucher). “Melle Guimard.\u201d Paris,<\/p>\n\n\n\n

[between 1840-1860]. The New York Public Library Digital Collections<\/em>. http:\/\/digitalcollections.nypl.org\/items\/510d47e2-0be6-a3d9-e040-e00a18064a99<\/a><\/p>\n\n\n\n

Humphrey, E. (“The celebrated Mademoiselle G-m-rd or Grimhard from Paris.” [London], 1789. The New York Public Library Digital Collections<\/em>. http:\/\/digitalcollections.nypl.org\/items\/510d47e2-0c21-a3d9-e040-e00a18064a99<\/a><\/p>\n\n\n\n

Dulertre (artist), and Jean-Fran\u00e7ois Janinet, 1752-1814 (engraver). \u2018Mlle Guimard dans le ballet du Navigateur). Paris, 1786. https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b100269535?rk=42918;4<\/a><\/p>\n\n\n\n

CHILD PRODIGY<\/strong>: Hullin, Jos\u00e9phine (1808-1838).<\/p>\n\n\n\n

Maleuvre (engraver). \u2018Mlle Jos\u00e9phine HULLIN, ag\u00e9e de 4 ans, dans la r\u00f4le du Petit Poucet dans la Botte de sept lieues. \u2026 Th\u00e9atre de la Gait\u00e9 Pantomime.\u2019 A Paris, chez Mme Masson Libraire rue de l\u2019Echelle, No. 10, [1812]. https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b53177576j\/f1.item<\/a><\/p>\n\n\n\n

FORTHCOMING<\/strong>. \u201cBORN IN AMERICA\u201d<\/strong> Maywood, Augusta (1825-1877?) by Lynn Matluck Brooks.<\/p>\n\n\n\n

 Bedetti, Augusto (Lithographer). \u2018Augusta Maywood.\u2019 Ancona: Lit. Pieroni, [1853]. The New York Public Library Digital Collections<\/em>. <\/p>\n\n\n\n

Clay, Edward Williams, 1799-1857 (artist). \u2018[La petite Augusta, aged 12 years, in the character of Zoloe, in the Bayadere].\u2019 N.Y.,[1838]. The New York Public Library Digital Collections<\/em>. https:\/\/digitalcollections.nypl.org\/items\/05fe3de0-dd5d-0132-f092-58d385a7b928<\/a><\/p>\n\n\n\n

\u201cFAME IN THE FRENCH PROVINCES\u201d<\/strong> Molard, Mlle. Z\u00e9lie.<\/p>\n\n\n\n

No\u00ebl, Francisque (lithographer), and F. Marin. \u2018Mlle. Z\u00e9lie Molard. Artiste du Th\u00e9\u00e2tre de la Porte St. Martin. R\u00f4le de Louise dans Le d\u00e9serteur. Lith. de F. No\u00ebl.\u2019 Paris,[184-]. The New York Public Library Digital Collections<\/em>. 1840 – http:\/\/digitalcollections.nypl.org\/items\/bde95d80-d70f-0132-3e8d-58d385a7bbd0<\/a><\/p>\n\n\n\n

\u201cADOPTING AN IDENTITY\u201d<\/strong> Montez, Lola (1818-1861)<\/p>\n\n\n\n

Dartinguenave, Prosper Guillaume, b. 1815<\/a> (Artist), and Adolphe Menut (lithographer).  \u201cLola Montez.\u201d Paris, [184?]. The New York Public Library Digital Collections<\/em>. http:\/\/digitalcollections.nypl.org\/items\/aac27cc0-1454-0133-8e55-58d385a7b928<\/a><\/p>\n\n\n\n

\u2018Portrait of Lola Montez,\u2019 [183-?-185-?]. The New York Public Library Digital Collections<\/em>. http:\/\/digitalcollections.nypl.org\/items\/e85bdbb0-8cc2-0134-3629-00505686a51c<\/a><\/p>\n\n\n\n

<\/p>\n\n\n\n

FORTHCOMING<\/strong> on Nautch Girls by Aryama Bej, Jadavpur University.<\/p>\n\n\n\n

\u201cTHE COST OF FAME\u201d <\/strong>Nielsen, Augusta W. (1822-1902)<\/p>\n\n\n\n

Senties, Pierre Asthasie Th\u00e9odore, b. 1801<\/a> (Artist), and Emilien Desmaisons,1812-1880<\/a> (Lithographer). \u2018Melle. Augusta Nielsen. Premi\u00e8re danseuse du Th\u00e9\u00e2tre Royal de Copenhague. Lith. par E. Desmaisons d’apr\u00e8s Senties.\u2019 Paris, [1842?]. The New York Public Library Digital Collections<\/em>. http:\/\/digitalcollections.nypl.org\/items\/ffc6df70-1454-0133-69f6-58d385a7b928<\/a><\/p>\n\n\n\n

Offers of contributions, on these or other subjects, to the editor Sarah McCleave, s.mccleave@qub.ac.uk.<\/p>\n","protected":false},"excerpt":{"rendered":"

Above: Mlle Jos\u00e9phine Hullin. Source: gallica.bnf.fr. \/BnF. Below are further proposed themes, subjects, and images for the Dance Biography blog: \u201cLA GUIMARD in PARIS and LONDON\u201d: Guimard, Marie Madeleine (1743-1816) Boquet, Louis-Ren\u00e9, 1717-1814 (designer). Tancr\u00e8de Mlle Guimard guerri\u00e8re 1764 [maquette de costume]. [n.p., 1764].. https:\/\/gallica.bnf.fr\/ark:\/12148\/btv1b8454777n?rk=21459;2 Gervais, Eug\u00e8ne (after F. Boucher). “Melle Guimard.\u201d Paris, [between 1840-1860]. […]<\/p>\n","protected":false},"author":56,"featured_media":53,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[52,1],"tags":[40,43,10,14,39,42,38,44,41],"class_list":["post-50","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dancebiography","category-uncategorised","tag-augusta-maywood","tag-augusta-nielsen","tag-call-for-contributors","tag-dance-biography","tag-josephine-hullin","tag-lola-montez","tag-marie-madeleine-guimard","tag-nautch-girls","tag-zelie-molard"],"jetpack_featured_media_url":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-content\/uploads\/sites\/26\/2021\/04\/Melle_Jose\u0301phine_Hullin_a\u0302ge\u0301e_de_..._btv1b53177576j_1.jpeg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/50","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/users\/56"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/comments?post=50"}],"version-history":[{"count":6,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/50\/revisions"}],"predecessor-version":[{"id":74,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/50\/revisions\/74"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/media\/53"}],"wp:attachment":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/media?parent=50"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/categories?post=50"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/tags?post=50"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}