{"id":44,"date":"2021-04-21T12:30:00","date_gmt":"2021-04-21T11:30:00","guid":{"rendered":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/?p=44"},"modified":"2022-03-01T18:01:11","modified_gmt":"2022-03-01T18:01:11","slug":"cochois-to-fairbrother-call-for-contributors-3","status":"publish","type":"post","link":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/2021\/04\/21\/cochois-to-fairbrother-call-for-contributors-3\/","title":{"rendered":"Cochois to Fairbrother: Call for contributors 3"},"content":{"rendered":"\n<p><\/p>\n\n\n\n<p>Further proposed subjects, themes, and images for the Dance Biographies blog:<\/p>\n\n\n\n<p><strong>A FRENCH DANCER AT THE COURT OF FREDERICK THE GREAT:<\/strong><\/p>\n\n\n\n<p>Cochois, Marianne<\/p>\n\n\n\n<p>Pesne, Antoine, 1682-1757 (artist), and Eug\u00e8ne-Michel-Joseph Abot, 1836-1894 (engraver). \u2018Melle Cochois dansant devant ses soeurs (Ch\u00e2teau de Potsdam).\u2019&nbsp;Bottom left: Gazette des Beaux-Arts. Bottom right: Imp. Chardon-Wittmann. Jerome Robbins Dance Division, The New York Public Library. &#8220;<em> The New York Public Library Digital Collections<\/em>. 1750 -. <a href=\"https:\/\/digitalcollections.nypl.org\/items\/ec2c64d0-ada1-0133-08bb-00505686a51c\">https:\/\/digitalcollections.nypl.org\/items\/ec2c64d0-ada1-0133-08bb-00505686a51c<\/a><\/p>\n\n\n\n<p><strong>\u201cESTABLISHING A LEGACY\u201d<\/strong> Dauberval, Mme Th\u00e9odore (b. 1760)<\/p>\n\n\n\n<p>Demarsoeuvre (pinxit.), and Jean Palli\u00e8re (del &amp; sculp). \u2018Th\u00e9odore Dauberval, premiere danseuse de l&#8217;Academie de Musique et du spectacle de bordx. N\u00e9e \u00e0 Paris le 6 obre. 1760.\u2019 Paris, c. 1800. <em>The New York Public Library Digital Collections<\/em>. 1800. <a href=\"http:\/\/digitalcollections.nypl.org\/items\/c3d69a00-e7af-0132-fd1b-58d385a7b928\">http:\/\/digitalcollections.nypl.org\/items\/c3d69a00-e7af-0132-fd1b-58d385a7b928<\/a><\/p>\n\n\n\n<p>Le Fevre (del.), and L. Legoux (sculp.). \u2018Theodore Dauberval. Ses talens seduisent, son esprit entraine; l&#8217;amiti\u00e9 seu le peut apprecier son Coeur.\u2019&nbsp; 1800. <em>The New York Public Library Digital Collections<\/em>. 1800. <a href=\"http:\/\/digitalcollections.nypl.org\/items\/ec2bbd00-e7af-0132-595a-58d385a7b928\">http:\/\/digitalcollections.nypl.org\/items\/ec2bbd00-e7af-0132-595a-58d385a7b928<\/a><\/p>\n\n\n\n<p>Lenard, C. (pinx. et sculp.). \u2018Theodore Dauberval n\u00e9e a Paris le 25\/9bre 1761.\u2019 Paris, [c. 1800]. <em>The New York Public Library Digital Collections<\/em>. 1800. <a href=\"http:\/\/digitalcollections.nypl.org\/items\/d6896b60-e7af-0132-f706-58d385a7b928\">http:\/\/digitalcollections.nypl.org\/items\/d6896b60-e7af-0132-f706-58d385a7b928<\/a><\/p>\n\n\n\n<p><strong>FORTHCOMING<\/strong>. Dawson, Nancy (Ann Newton c.1728-1767),  by Olive Baldwin and Thelma Wilson.<\/p>\n\n\n\n<p>Nancy Dawson dancing the hornpipe. Anon, c. 1753. British Museum, <a href=\"https:\/\/research.britishmuseum.org\/research\/collection_online\/collection_object_details.aspx?objectId=3478154&amp;partId=1&amp;page=2&amp;searchText=dancers&amp;images=true&amp;people=&amp;place=&amp;from=ad&amp;fromDate=1680&amp;to=ad&amp;toDate=1860&amp;object=&amp;subject=&amp;matcult=&amp;technique=&amp;school=&amp;material=&amp;ethname=&amp;ware=&amp;escape=&amp;museumno=&amp;bibliography=&amp;citation=&amp;peoA=&amp;plaA=&amp;termA=&amp;sortBy=&amp;view=\">https:\/\/research.britishmuseum.org\/research\/collection_online\/collection_object_details.aspx?objectId=3478154&amp;partId=1&amp;page=2&amp;searchText=dancers&amp;images=true&amp;people=&amp;place=&amp;from=ad&amp;fromDate=1680&amp;to=ad&amp;toDate=1860&amp;object=&amp;subject=&amp;matcult=&amp;technique=&amp;school=&amp;material=&amp;ethname=&amp;ware=&amp;escape=&amp;museumno=&amp;bibliography=&amp;citation=&amp;peoA=&amp;plaA=&amp;termA=&amp;sortBy=&amp;view=<\/a><\/p>\n\n\n\n<p><strong>\u201cMEMORABLE ROLES<\/strong>\u201d: Elssler, Fanny (1810-1884).<\/p>\n\n\n\n<p>Cajetan, L. (del.), and Berndt (lithographer). \u2018<strong>Fanny Elssler in dem Divertissement: &#8220;Des Malers Traumbild.&#8221; Cajetan del. Berndt lith. Steindr. des T. Rauh.\u2019 <\/strong>Wien, [ca. 1843].<strong> <\/strong><em>The New York Public Library Digital Collections<\/em>. <a href=\"https:\/\/digitalcollections.nypl.org\/items\/0f977fa0-9cbd-0131-f2df-58d385a7b928\">https:\/\/digitalcollections.nypl.org\/items\/0f977fa0-9cbd-0131-f2df-58d385a7b928<\/a><\/p>\n\n\n\n<p>Currier, Nathaniel, 1813-1888 (lithographer). \u2018<strong>Fanny Elssler in the favorite dance La cachucha.\u2019 <\/strong>New York, Lith. &amp; pub. by N. Currier [between 1838 and 1846]. <em>The New York Public Library Digital Collections<\/em>. <a href=\"https:\/\/digitalcollections.nypl.org\/items\/18ec8690-9da7-0131-611a-58d385a7b928\">https:\/\/digitalcollections.nypl.org\/items\/18ec8690-9da7-0131-611a-58d385a7b928<\/a><\/p>\n\n\n\n<p>Fleetwood (lithographer). \u2018<strong>Madlle. Fanny Elssler in La tarentule. Fleetwood&#8217;s Lithography.\u2019 <\/strong>New York, Firth &amp; Hall [1840]. <em>The New York Public Library Digital Collections<\/em>. <a href=\"https:\/\/digitalcollections.nypl.org\/items\/2678e780-9d9b-0131-9bb0-58d385a7b928\">https:\/\/digitalcollections.nypl.org\/items\/2678e780-9d9b-0131-9bb0-58d385a7b928<\/a><\/p>\n\n\n\n<p>Gauci, Maxim, 1774-1854 (lithographer), from John Deffett Francis, 1815-1901 (artist). \u2018La Voli\u00e8re. &#8211; Portrait of Mademoiselle F. Elssler.\u2019 London, 1838. <em>The New York Public Library Digital Collections<\/em>. <a href=\"http:\/\/digitalcollections.nypl.org\/items\/510d47e2-0c48-a3d9-e040-e00a18064a99\">http:\/\/digitalcollections.nypl.org\/items\/510d47e2-0c48-a3d9-e040-e00a18064a99<\/a><\/p>\n\n\n\n<p><strong>FORTHCOMING (Cavers and HALL)<\/strong>: Fairbrother, Sarah Louise (1816-1890)<\/p>\n\n\n\n<p class=\"has-accent-color has-text-color\">Offers of contributions, on these subjects or others, to the editor Sarah McCleave, s.mccleave@qub.ac.uk.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Further proposed subjects, themes, and images for the Dance Biographies blog: A FRENCH DANCER AT THE COURT OF FREDERICK THE GREAT: Cochois, Marianne Pesne, Antoine, 1682-1757 (artist), and Eug\u00e8ne-Michel-Joseph Abot, 1836-1894 (engraver). \u2018Melle Cochois dansant devant ses soeurs (Ch\u00e2teau de Potsdam).\u2019&nbsp;Bottom left: Gazette des Beaux-Arts. Bottom right: Imp. Chardon-Wittmann. Jerome Robbins Dance Division, The New [&hellip;]<\/p>\n","protected":false},"author":56,"featured_media":46,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[52,1],"tags":[10,14,16,17,45,22,46],"class_list":["post-44","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dancebiography","category-uncategorised","tag-call-for-contributors","tag-dance-biography","tag-fanny-elssler","tag-marianne-cochois","tag-mme-theodore-dauberval","tag-nancy-dawson","tag-sarah-louise-fairbrother"],"jetpack_featured_media_url":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-content\/uploads\/sites\/26\/2021\/04\/Elssler-in-La-Voliere.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/44","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/users\/56"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/comments?post=44"}],"version-history":[{"count":4,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/44\/revisions"}],"predecessor-version":[{"id":67,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/44\/revisions\/67"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/media\/46"}],"wp:attachment":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/media?parent=44"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/categories?post=44"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/tags?post=44"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}