{"id":33,"date":"2021-04-21T09:47:05","date_gmt":"2021-04-21T08:47:05","guid":{"rendered":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/?p=33"},"modified":"2022-03-01T18:00:49","modified_gmt":"2022-03-01T18:00:49","slug":"baccelli-to-cerrito-call-for-contributors-2","status":"publish","type":"post","link":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/2021\/04\/21\/baccelli-to-cerrito-call-for-contributors-2\/","title":{"rendered":"BACCELLI TO CERRITO: Call for contributors 2"},"content":{"rendered":"\n<p>Above: <strong>Celeste as the Maid of Cashmere. [Lithograph] E. T. Parris, 1837<\/strong> from The New York Public Library.<\/p>\n\n\n\n<p>Further proposed subjects for the blogs with likely themes and illustrations are provided in list form across a series of posts.<\/p>\n\n\n\n<p><strong>\u201cWhat is a likeness?\u201d : <\/strong>Baccelli, Giovanna (Giovanna&nbsp;Francesca Antonio Guiseppe Zanerini,&nbsp;1753-1801) <\/p>\n\n\n\n<p><a href=\"https:\/\/digitalcollections.nypl.org\/search\/index?filters%5BnamePart_mtxt_s%5D%5B%5D=Gainsborough%2C%20Thomas%2C%201727-1788&amp;keywords=&amp;layout=false\">Gainsborough, Thomas, 1727-1788<\/a> (Artist), and John Jones, ca. 1745-1797 (engraver). \u2018\u201cSignora Baccelli [inscribed on tambourine, lower left].\u2019 [London]: 1784. <em>The New York Public Library Digital Collections<\/em>. <a href=\"http:\/\/digitalcollections.nypl.org\/items\/5dfa84a0-0e0d-0133-d085-58d385a7b928\">http:\/\/digitalcollections.nypl.org\/items\/5dfa84a0-0e0d-0133-d085-58d385a7b928<\/a><\/p>\n\n\n\n<p>Reynolds, Sir Joshua (Artist), and John Raphael Smith (Engraver). <em>Mademoiselle Baccelli<\/em>. London, 1783. The New York Public Library. <a href=\"https:\/\/digitalcollections.nypl.org\/items\/fc178f20-7de3-0130-5d31-58d385a7b928\">https:\/\/digitalcollections.nypl.org\/items\/fc178f20-7de3-0130-5d31-58d385a7b928<\/a><\/p>\n\n\n\n<p>Roberts, James (1753-c.1809) (Artist), and J. Thornthwaite (engraver). <em>Signora Baccelli in the ballet (call&#8217;d) Les amans surpris<\/em>&nbsp;. [London]: 1781. Jerome Robbins Dance Division, The New York Public Library. (1781-05-15).&nbsp; https:\/\/digitalcollections.nypl.org\/items\/b191b9c0-7de3-0130-d03b-58d385a7b928<\/p>\n\n\n\n<p><strong>FORTHCOMING<\/strong> <strong>\u201cRISE OF THE ITALIAN STYLE\u201d: <\/strong>Barbarina (Barbara Campanini, 1721-1799), by Moira Goff.<\/p>\n\n\n\n<p>Livesay, Richard (1750-1826). \u2018The Charmers of the Age, after William Hogarth, 1782. Publish&#8217;d March 1, 1782, by Rd. Livesay at Mrs Hogarths Leicester Fields&#8221;. <a href=\"https:\/\/digitalcollections.nypl.org\/items\/1ebdd440-9e2c-0130-fe67-58d385a7b928\">https:\/\/digitalcollections.nypl.org\/items\/1ebdd440-9e2c-0130-fe67-58d385a7b928<\/a><\/p>\n\n\n\n<p><strong>\u201cREPUTATION AFTER RETIREMENT\u201d: <\/strong>Camargo, Marie Anne de Cupis de (1710-1770) <\/p>\n\n\n\n<p>Lancret, Nicolas, painter, and E. Gervais, engraver. \u2018Melle. Camargo.\u2019 Paris, [185-?]. <em>The New York Public Library Digital Collections<\/em>. 1850 &#8211; 1859. <a href=\"http:\/\/digitalcollections.nypl.org\/items\/510d47e2-0d4d-a3d9-e040-e00a18064a99\">http:\/\/digitalcollections.nypl.org\/items\/510d47e2-0d4d-a3d9-e040-e00a18064a99<\/a><\/p>\n\n\n\n<p>Nattier, Jean-Marc, 1685-1766 (artist). \u2018[La Camargo, dame de la cour de Louis XV].\u2019 Paris: Manzi, Joyant &amp; Cie, [189?]. <em>The New York Public Library Digital Collections<\/em>. <a href=\"http:\/\/digitalcollections.nypl.org\/items\/0db0cde0-0dfd-0133-d449-58d385a7b928\">http:\/\/digitalcollections.nypl.org\/items\/0db0cde0-0dfd-0133-d449-58d385a7b928<\/a><\/p>\n\n\n\n<p><strong>\u201cAN INTERNATONAL PHENOMENON\u201d: <\/strong>Celeste, C\u00e9line (1815?-1882)<strong><\/strong><\/p>\n\n\n\n<p>Endicott (lithographer). \u2018<strong>The Greek romaika, danced by Mademoiselle Celeste, with the admired Valse pathetique [by] A. Fleche.\u2019 <\/strong>[New York, ca. 1837]. <em>The New York Public Library Digital Collections<\/em>. <a href=\"https:\/\/digitalcollections.nypl.org\/items\/510d47e2-0d52-a3d9-e040-e00a18064a99\">https:\/\/digitalcollections.nypl.org\/items\/510d47e2-0d52-a3d9-e040-e00a18064a99<\/a><\/p>\n\n\n\n<p>Firth &amp; Hall (publisher). \u2018<strong>The cachucha as danced by Celeste wit [sic] Une valse sentimentale.\u2019 <\/strong>New York, [ca. 1835]. <em>The New York Public Library Digital Collections<\/em>. <a href=\"https:\/\/digitalcollections.nypl.org\/items\/9fd240f0-294a-0131-5723-58d385a7b928\">https:\/\/digitalcollections.nypl.org\/items\/9fd240f0-294a-0131-5723-58d385a7b928<\/a><\/p>\n\n\n\n<p>Parris, Edmund Thomas, 1793-1873 (artist), and A. Pichin (lith).&nbsp; \u2018<strong>Celeste [fac. sig.] as the Maid of Cashmere. [Lithograph] E. T. Parris, 1837; <\/strong>London, Hodgson &amp; Graves, 1837. <em>The New York Public Library Digital Collections<\/em>. <a href=\"https:\/\/digitalcollections.nypl.org\/items\/22d38ad0-0dff-0133-afe6-58d385a7b928\">https:\/\/digitalcollections.nypl.org\/items\/22d38ad0-0dff-0133-afe6-58d385a7b928<\/a><\/p>\n\n\n\n<p><strong>\u201cADMIRED WHEREVER SHE WENT\u201d<\/strong>: Cerrito, Fanny (1817-1909)<\/p>\n\n\n\n<p>Brandon, Lionel (artist), and George J. Zoebel (engraver). \u2018Mad&#8217;lle Fanny Cerito, of Her Majesty&#8217;s Theatre.\u2019 [London], 1844.&nbsp;<em>The New York Public Library Digital Collections<\/em>. <a href=\"http:\/\/digitalcollections.nypl.org\/items\/15de07a0-0e08-0133-8380-58d385a7b928\">http:\/\/digitalcollections.nypl.org\/items\/15de07a0-0e08-0133-8380-58d385a7b928<\/a><\/p>\n\n\n\n<p>Simonau, Fran\u00e7ois (artist, 1783-1859), and G.H. Every (engraver).&nbsp; \u2018Fanny Cerrito.\u2019 London: E. Gambart, Junin &amp; co., 1845. <em>The New York Public Library Digital Collections<\/em>. <a href=\"http:\/\/digitalcollections.nypl.org\/items\/fcf8beb0-0e07-0133-6fc7-58d385a7b928\">http:\/\/digitalcollections.nypl.org\/items\/fcf8beb0-0e07-0133-6fc7-58d385a7b928<\/a><\/p>\n\n\n\n<p>Sorrieu, Fr\u00e9d\u00e8ric, 1807 \u2013 (artist), and Magnier (lithographer). \u2018<strong>La Cerrito. [Lithograph] F. Sorrieu. Lith. Magnier.\u2019 <\/strong>Paris, Chez Quesnel &amp; Boisgontier [184-]. <em>The New York Public Library Digital Collections<\/em>. <a href=\"https:\/\/digitalcollections.nypl.org\/items\/cec82880-2957-0131-0612-58d385a7bbd0\">https:\/\/digitalcollections.nypl.org\/items\/cec82880-2957-0131-0612-58d385a7bbd0<\/a>. <a href=\"http:\/\/catalog.nypl.org\/search~S1?\/c*MGZFB+Cer+F+Lac+5\/c*mgzfb+cer+f+lac++++++5\/-3,-1,0,E\/2browse\"><br><\/a><\/p>\n\n\n\n<p>Valentini, Alexandre de, fl. 1825-1842 (artist), and H.S. Ball (engraver). \u2018<strong>Madlle Cerito in the grand ballet Le lac des f\u00e9es.\u2019 <\/strong>London; Paris, 1842. <em>The New York Public Library Digital Collections<\/em>. 1842. &nbsp;<a href=\"https:\/\/digitalcollections.nypl.org\/items\/15be34c0-2952-0131-6e9c-58d385a7b928\">https:\/\/digitalcollections.nypl.org\/items\/15be34c0-2952-0131-6e9c-58d385a7b928<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Above: Celeste as the Maid of Cashmere. [Lithograph] E. T. Parris, 1837 from The New York Public Library. Further proposed subjects for the blogs with likely themes and illustrations are provided in list form across a series of posts. \u201cWhat is a likeness?\u201d : Baccelli, Giovanna (Giovanna&nbsp;Francesca Antonio Guiseppe Zanerini,&nbsp;1753-1801) Gainsborough, Thomas, 1727-1788 (Artist), and [&hellip;]<\/p>\n","protected":false},"author":56,"featured_media":36,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[52,1],"tags":[48,10,50,14,51,47,49],"class_list":["post-33","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dancebiography","category-uncategorised","tag-barbarina-campanini","tag-call-for-contributors","tag-celine-celeste","tag-dance-biography","tag-fanny-cerrito","tag-giovanna-baccelli","tag-marie-camargo"],"jetpack_featured_media_url":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-content\/uploads\/sites\/26\/2021\/04\/CELESTE-IN-MAID-OF-CASHMERE.-nypl.digitalcollections.22d38ad0-0dff-0133-afe6-58d385a7b928.001.w.jpg","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/33","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/users\/56"}],"replies":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/comments?post=33"}],"version-history":[{"count":9,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/33\/revisions"}],"predecessor-version":[{"id":73,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/posts\/33\/revisions\/73"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/media\/36"}],"wp:attachment":[{"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/media?parent=33"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/categories?post=33"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogs.qub.ac.uk\/dancebiographies\/wp-json\/wp\/v2\/tags?post=33"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}